"See What They Did"?

Recently posted by New York/"Vulture's Edith Zimmerman.

Update: HE reader Jonathan Hartman reminds that Inception composer Hans Zimmer "already publicly talked about this at the SCL Screening in Los Angeles a week before the film opened. He and Inception's sound designer explained the musical concept, and particularly this specific link.

"Edith Piaf is all over the movie, in many scenes where the casual viewer wouldn't even recognize it. For the record, Nolan has Edith Piaf in the script, but only played as the 'wake up' music. It was Zimmer's manipulation of the material that gave them the idea to incorporate it everywhere."

Posted by Jeffrey Wells on July 27, 2010 at 10:09 AM

comment #1

themodernage Author Profile Page says ...

Yep, that's brilliant.

Posted by themodernage Author Profile Page at July 27, 2010 10:16 AM

comment #2

Ray DeRousse Author Profile Page says ...

I thought that was pretty cool. The lyrics to that Edith Piaf song really fit the movie itself.

Wasn't really a fan of the music, actually, but this is clever enough that I hope Zimmer wins the Oscar for it.

Posted by Ray DeRousse Author Profile Page at July 27, 2010 10:16 AM

comment #3

Roger in Orlando Author Profile Page says ...

La Vie en Rose is a major musical motif in the film. More of an inside joke, I thought.

Posted by Roger in Orlando Author Profile Page at July 27, 2010 10:21 AM

comment #4

party animals Author Profile Page says ...

More of an inside joke, I thought.

not at all.

Posted by party animals Author Profile Page at July 27, 2010 10:28 AM

comment #5

EricGilde Author Profile Page says ...

That's pretty stellar.

Posted by EricGilde Author Profile Page at July 27, 2010 10:52 AM

comment #6

4th grade army Author Profile Page says ...

That's really brainy. The idea came from Nolan, no doubt. The soundtrack is great, BTW. The last track, "Time" is stellar.

Posted by 4th grade army Author Profile Page at July 27, 2010 11:07 AM

comment #7

Aladdin Sane Author Profile Page says ...

Nolan says that he was writing Edith Piaf into the script before he ever cast Marion Cotillard.
It's a fantastic score. I'm surprised that Zimmer's only Oscar is for The Lion King of all things.

Posted by Aladdin Sane Author Profile Page at July 27, 2010 11:09 AM

comment #8

Aladdin Sane Author Profile Page says ...

@ 4th grade army - I listened to "Time" on repeat for a few times when I first got the score off of iTunes. It encapsulates the film for me.

Posted by Aladdin Sane Author Profile Page at July 27, 2010 11:10 AM

comment #9

Eloi Wrath Author Profile Page says ...

"Time" is great, but it's also very similar to his "Journey to the Line" template that he revisits occasionally.

It's a great score, though. First soundtrack album I've bought since Inglourious Basterds last year.

Posted by Eloi Wrath Author Profile Page at July 27, 2010 11:23 AM

comment #10

LexG Author Profile Page says ...

Best score in a zillion years. Probably since his own Thin Red Line... which was the best since Days of Thunder... which was the best since Black Rain.

"I'LL BE HOLDING ON" POWER.

Posted by LexG Author Profile Page at July 27, 2010 11:25 AM

comment #11

The Lord of Misrule Author Profile Page says ...

...or another way you could look at it is that "Inception" is, by far, the bizarest third act twist to "La Vie en Rose" in cinema history.

Take that, M. Night!

Posted by The Lord of Misrule Author Profile Page at July 27, 2010 11:33 AM

comment #12

Ghost072 Author Profile Page says ...

Brilliant and the final mind fuck, especially when you consider the effect that the different dream levels have on the speed of time (the song would appear to be slowed down on deeper levels).

Posted by Ghost072 Author Profile Page at July 27, 2010 11:59 AM

comment #13

Ghost072 Author Profile Page says ...

Funny observation in the first post to the Vulture article, too:

"The Vulture post exposing the secret connection between the music of Edith Piaf and Hans Zimmer is posted by Edith Zimmerman?

Impressive attempt, but now I know we are actually still asleep..."

Posted by Ghost072 Author Profile Page at July 27, 2010 12:01 PM

comment #14

Eloi Wrath Author Profile Page says ...

The Thin Red Line score really is a masterpiece. Unbelievably good.

Zimmer rules.

Posted by Eloi Wrath Author Profile Page at July 27, 2010 12:08 PM

comment #15

Geoffsongs Author Profile Page says ...

I haven't heard the actual soundtrack by itself, but if you stay all the way to the end of the end credits, there is also a brilliant mix of the song and the main theme. Now knowing that that main theme is cleverly tied to the song in this way, it makes it even more thrilling, like a dream eating itself.

Posted by Geoffsongs Author Profile Page at July 27, 2010 12:17 PM

comment #16

BT64 Author Profile Page says ...

The good ones borrow, the great ones steal

Posted by BT64 Author Profile Page at July 27, 2010 12:24 PM

comment #17

FWickman Author Profile Page says ...

I actually just noticed that the last "second" of my Inception Soundtrack ("Time" 4:34-4:35) is actually about 4 secs long, and ticks briefly backwards. Can anyone verify?

I don't have the soundtrack on CD (I'm listening from a rip) but this is the only mp3 I've ever had do this, and considering it's the precise moment that plays over the lingering final shot of the top, it's a pretty eerie little easter egg.

Posted by FWickman Author Profile Page at July 27, 2010 12:46 PM

comment #18

Jonathan Spuij Author Profile Page says ...

Damn, I haven't got any software to play it backwards, and I'm not gonna download any either. So who did go through the trouble of doing it?

Posted by Jonathan Spuij Author Profile Page at July 27, 2010 1:29 PM

comment #19

FWickman Author Profile Page says ...

JSpuij, if that was in response to my comment, I was actually just referring to what happens when you play the song forwards. By "ticks briefly backwards" I only meant that my iTunes counter, after lingering on 4:35 for two or three seconds, actually jumps back to 4:34 before ending on 4:35 again.

Posted by FWickman Author Profile Page at July 27, 2010 1:47 PM

comment #20

Ghost072 Author Profile Page says ...

Yep, does the same thing on mine, FWickman. Good catch!

Posted by Ghost072 Author Profile Page at July 27, 2010 1:51 PM

comment #21

DiscoNap Author Profile Page says ...

Hans Zimmer is a very iPod friendly composer. The track "Time" mentioned already is no exception. It plays like vintage Moby, in the best way possible. I can see why Nolan went for it. The Son of Mann continues.

Posted by DiscoNap Author Profile Page at July 27, 2010 2:51 PM

comment #22

DiscoNap Author Profile Page says ...

Also I must stand up for a great ZImmer score in a middling film: Da Vinci Code.

Posted by DiscoNap Author Profile Page at July 27, 2010 2:57 PM

comment #23

Geoff Author Profile Page says ...

ZIMMER POWER - I LOVE the score for Black Rain, probably the best thing about the movie. I remember it was even used in the trailers for Silence of the Lambs.

But the best Zimmer score has to be Crimson Tide - that flourish that explodes throughout the movie (especially during the climax)....if that doesn't want to make you raise your fist Viggo-style while in a crowded sub, I don't know what will.

Posted by Geoff Author Profile Page at July 27, 2010 7:20 PM

comment #24

Josh Massey Author Profile Page says ...

Oh my God, the Black Rain score. Haven't thought about that in years. I wore that CD out when it was released - which is weird, since I was 13 at the time.

Posted by Josh Massey Author Profile Page at July 27, 2010 9:36 PM

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