The fact that Mad Max: Fury Road and The Big Short won big at last night’s Eddie awards (Best Edited Drama and Comedy, respectively) means bupkis as far as predicting the Best Picture Oscar winner. Okay, maybe a little something but not much. The Eddie voters discounted Tom McArdle‘s editing of Spotlight because, I’m guessing, it didn’t strike them as distinctive or flashy enough. And they blew off Stephen Mirrione ‘s cutting of The Revenant because…you tell me. I only know that the Eddie Awards have never seemed like much of a barometer of anything. They’re a little house on the hill that nobody visits or thinks much about. “They’re a sideshow of a sideshow….the real war is being fought against the Germans, in the trenches” — Donald Wolfit in Lawrence of Arabia.