There are ten upcoming 2020 releases that smell like possible Best Picture material. To me anyway. David Fincher‘s Mank, Aaron Sorkin‘s Trial of the Chicago 7, Ridley Scott‘s The Last Duel, Tom McCarthy’s Stillwater, Steven Spielberg‘s West Side Story, Joel Coen‘s Macbeth, Andrew Dominik‘s Blonde, Leos Carax’s Annette, Paul Greengrass’s News of the World and Terrence Malick‘s The Last Planet. (10)
I know that Carax’s film…actually I know nothing except it’s a musical and Carax is crazy in a good way. I’m sensing that post-Parasite things suddenly feel a lot less constrained as far as Best Picture criteria are concerned. I know that Malick doesn’t do Oscar-aspiring films, but Planet is some kind of Jesus of Nazareth saga. (Almost certainly not geared for the Mel Gibson crowd.) I have a 12-year-old draft of Sorkin’s film — just received it today. I’ve read Mank, but I’d also love to read Blonde, Stillwater and News of the World.
Ana de Armas in Andrew Dominik‘s Blonde.
The somewhat-less-likelies include Chris Nolan‘s Tenet, Charlie Kaufman’s I’m Thinking Of Ending Things, Wes Anderson’s The French Dispatch, Guillermo del Toro’s Nightmare Alley, Sofia Coppola’s On the Rocks, Denis Villenueve’s Dune, Spike Lee’s Da 5 Bloods, Edgar Wright’s Last Night In Soho, Steven Soderbergh’s Let Them All Talk, Adrian Lyne’s Deep Water and Liesl Tommy‘s Respect. (11)
Not to mention Paul Verhoeven’s Benedetta, Apichatpong Weerasethakul’s Memoria, Chloe Zhao’s Nomadland and Mia Hansen-Løve’s Bergman Island. (4)
That’s 25 head-turners for starters. What am I missing, cream of the crop-wise?