Three days ago The Ankler‘s Richard Rushfield passed along a Martin Scorsese / Paramount/ Netflix rumor, to wit:
“There has also been a spate of…rumors that Netflix [is] about to step in and take over the Scorsese/Leo Killers of the Flower Moon film about to start shooting [under] Paramount, or at least that Scorsese would like them to. I’ve heard that in Scorsese fashion, the budget has already soared to an amazing $225 million and Paramount is getting understandable heartburn about this.
“Scorsese for his part, having drunk (like a drunken sailor) from the cup of Netflix’s bottomless budget, is not enjoying a return to earthbound budgeting and presumably would like another slug of what they’re pouring. Will his Oscar shut-out persuade him that maybe that’s not the way to go? Will the Oscar shut-out persuade Netflix that handing Martin Scorsese a blank check for $200 million isn’t a great strategy? Or will the blinding light of Leo be too much for VCT to resist?”
Note: “VCT” is an acronym for Video City Ted (Sarandos).
How in the world could a fact-based period thriller, set in the Midwest of the 1920s without any de-aging CGI, wind up costing north of $200 million?
Logline: “Oil-rich members of Oklahoma’s Osage tribe are murdered under mysterious circumstances in the 1920s, sparking a major investigation involving J. Edgar Hoover.”
Leonardo DiCaprio plays an investigative good guy; Robert De Niro plays the real-life William Hale, a bad guy.