Posted by Jeffrey Wells on January 03, 2007 at 08:34 AM
Risky Biz blog's Anne Thompson has chided David Denby's recently posted New Yorker piece about Hollywood's digital future by calling it a dutiful "term paper" that seems "terribly familar" and "very obvious...and as always, Denby's sorry to let the old ways go."
I enjoyed Denby's piece because it's honest and thorough and well written -- he talked to many of the Left Coast people he needed to speak to and then tried to put it all together in his head, and then he came back to Manhattan and wrote it from his heart. It's a smart, absorbing read. I don't get the bashing. From Poland, yes (naturally)...but not from Anne.
And while digital technology is improving new and old films markedly (i.e., first-rate digital projection in theatres is, to my eyes, definitely preferable to film projection), some of the "old ways" of showing and experiencing movies were really spectac- ular. There's an extra-oomph showmanship quality that's missing from all but the best theatres (like Hollywood's Arclight) today.
Those ornate, super-sized movie palaces, for example....finito. I've only seen pictures (okay, I was inside Radio City Music Hall once) but I feel like I've missed out on something really grandiose and spirit-filling.
I've seen 30-frame Todd-AO exactly once in my life (when a restored 30-frame version of Oklahoma! was shown in '84 or thereabouts), and I've never forgotten it. The fluidity of motion and considerable lessening of pan blur in that ancient 70mm process, which hasn't been freshly exhibited since 1956 or thereabouts, was truly awesome.
Something in me also regrets that Showscan, the 60 frame-per-second process that peaked iin the '80s and early '90s, was never used to make a feature film. I'm a little bit sorry also that the old three-projector Cinerama process, dual-projector 3-D projection, Ultra- and Super-Panavision 70, Camera 65, Dimension 150, Aromarama and all the nervy, forward-thinking processes of the '50s and early '60s are gone as well.

Last updated: October 3, 2007
Obviously I'm light in several categories.
Suggestions and disputations are welcome.
BEST PICTURE: Australia (20th Century Fox), The Argentine (Focus Features), Guerilla (Focus Features), Milk (Focus Features), Seven Pounds (Sony), The Curious Case of Benjamin Button (Paramount/Warner Bros.), The Soloist (DreamWorks), Body of Lies (Warner Bros.), Revolutionary Road (Paramount Vantage/DreamWorks), The Changeling (Universal Pictures), Frost/Nixon (Universal), Doubt (Miramax), Blindness (Universal Pictures), Defiance (Paramount Vantage), The Duchess (Paramount Vantage), Valkyrie (MGM-UA), The Reader (Weinstein Co.)
BEST DIRECTOR: Fernando Meirelles (Blindness), David Fincher (The Curious Case of Benjamin Button), Ron Howard (Frost/Nixon), Brian Singer (Valkyrie), Baz Luhrmann (Australia), Steven Soderbergh (The Argentine and Guerilla), Gus Van Sant (Milk), Gabriele Muccino (Seven Pounds), Joe Wright (The Soloist), Ridley Scott (Body of Lies), Sam Mendes (Revolutionary Road), Clint Eastwood (Changeling), John Patrick Shanley (Doubt), Edward Zwick (Defiance), Saul Dibb (The Duchess), Stephen Daldry (The Reader)
BEST ACTOR: Leonardo DiCaprio (Revolutionary Road), Brad Pitt (The Curious Case of Benjamin Button), Ralph Fiennes (The Duchess), Hugh Jackman (Australia), Tom Cruise (Valkyrie), Harrison Ford (Crossing Over), Sean Penn (Milk), James Franco (Pineapple Express), Philip Seymour Hoffman (Synecdoche, New York), Heath Ledger (Dark Knight), Will Smith (Seven Pounds), Jamie Foxx (The Soloist)
BEST ACTRESS: Kate Winslet (Revolutionary Road), Angelina Jolie (Changeling), Keira Knightley (The Duchess), Nicole Kidman (Australia)
BEST SUPPORTING ACTOR: Leiv Schreiber (Defiance), Frank Langella (Frost/Nixon), John Malkovich (Changeling and Burn After Reading), Bill Nighy (Valkyrie), Robert Downey Jr. (The Soloist), Robert Downey Jr. (Tropic thunder), James Franco (The Pineapple Express), Alan Alda (Nothing But the Truth)
BEST SUPPORTING ACTRESS: Meryl Streep (Doubt), Amy Adams (Doubt), Vera Farmiga (Nothing But the Truth)
BEST ANIMATED FEATURE: Dr. Seuss' Horton Hears a Who (20th Century Fox)
BEST ORIGINAL SCREENPLAY: Charlie Kaufman (Synecdoche, New York)
BEST ADAPTED SCREENPLAY: Peter Straughan (How to Lose Friends and Alienate People)
SPECIAL EFFECTS: Iron Man, Indiana Jones and the Kingdom of the Crystal Skull
Michelle discovers a couple of comedy films thanks to the power of Netflix.
Adam joins the Elsewhere crew from the Windy City and hits the ground running this week.
July 2
July 3
July 4
Diminished Capacity
Gonzo: The Life and Work of Hunter S. Thompson
We are Together
July 9
July 11
August
Eight Miles High
Journey to the Center of the Earth
Roman Polanski: Wanted and Desired
July 18
A Very British Gangster
Before I Forget
Felon
Lou Reed's Berlin
Transsiberian
July 22
July 23
Comments
an ipod will not replace a 70 mm showing of 2001.
sorry anne. but way to go to show your bosses you're "with it."
Posted by: christian
at
January 3, 2007 09:31 AM
Jeff,
Have you seen Maxi-Vision, which Roger Ebert loves and had hoped would be used instead of digital projection? Unfortunately, all these new formats are seen by executives and theater owners as too expensive to be put in place.
Posted by: joe
at
January 3, 2007 09:53 AM
forget the technology. it is about viewer ownership of a movie (and the viewing experience) using these technologies. No longer is a film watcher at the mercy of others. You don't have to feel out of the loop if you're not in Manhattan or LA or near Eastman House. Long as that film is out on DVD,
We are not at the mercy of a film critic to read their blather about an obscure film that will never play at your local theater or on the Midnight Movie. You get a slight interest in the film - you can order it from Netflix and see for yourself. And with a director's commentary track, I don't need to hear some goofball film professor force his lame thesis onto the action. I can get told by the person in charge what they were thinking when they constructed a scene.
and the nicest part of DVD is that instead of just "talking about the film" to a friend - you can loan it to them.
Posted by: corey3rd
at
January 3, 2007 09:59 AM
Jude Law not a movie star.
David Denby old fashioned.
I can't wait to read Thompson's next expose': Cancer causes death.
Posted by: cjKennedy
at
January 3, 2007 10:02 AM
Whenever I hear about the doom of theatrical exhibition, I tend to shuffle it off into the same file as bubble-domed cities, jet-packs, and the movie career of Aki Rose. Everyone remember dear Aki, intended as the first computer-generated movie star? How'd that go?
And speaking of bubbles, wasn't Soderbergh's Bubble, with its simultaneous release in theaters, on video, and on HDNet, supposed to revolutionize distribution, and possibly serve as the harbinger of doom for theatrical display? Again, how'd that go?
I think some Hollywood types are so bogged down in the luster and promise of technology that they sometimes severely underestimate the old-fashioned appeal of getting out of the house on a Friday night.
Posted by: K. Bowen
at
January 3, 2007 01:22 PM
it's the same thing with lucas digital obssession -- as if any of this fucking technology is going to write a good script.
Posted by: christian
at
January 3, 2007 02:25 PM
Corey3rd: Boy, am I tired of hearing that canard. The movie you purchase on DVD or watch on DVD is NOT the same as the movie you see in the theater. It may have the same images in the same order, but it's a representation of a film in the same way a print is a representation of a painting. The ability to "control" a film is nothing next to the opportunity to be overwhelmed by the force of a filmmaker's vision. DVDs a great for film culture, but they are not film. Full stop.
Posted by: Sam Adams
at
January 5, 2007 12:25 PM
Anyone who will watch a movie (not a short, not a featurette) but a MOVIE on a 2 inch screen of their iPod or cel phone deserves the hell they're going to.
The rest of us are destined for a heaven lit by the cleanest neon marquees advertising new prints of the great films in all the finest theaters that have long since been torn down on the myopic advise of accountants looking for a few extra dollars because they can make more money on a strip mall an $.99 store.
Posted by: MPNeeb
at
January 8, 2007 05:30 AM
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