“The Lewis Black of Oscar bloggers” —Patrick Goldstein, “The Big Picture”, L.A. Times

Forget "Pieces"

Posted by Jeffrey Wells on September 06, 2007 at 06:53 AM

It is axiomatic that one must must approach all Canadian-produced films chosen to open the Toronto Film Festival with extreme caution. Jeremy Podeswa's Fugitive Pieces, which I just walked out of, conveys this tendency in spades. I was out the door after 30 minutes, but I was looking at my watch after the first 15 minutes. I don't care if it kicks in at the one-hour mark or whatever -- I won't sit through films like this.


Expelled for the duration of the festival, and perhaps beyond. We will have no more to do with thee..be gone! Snapped in a Cineplex Odeon hallway after excusing myself from Jeremy Podeswa's Fugitive Pieces -- Thursday, 9.6.07, 9:35 am

I guess this means I'm dead meat as far as the film's producer, Robert Lantos, is concerned. If I run into him at at a party I'll say I'm somebody else.

Pieces is a doleful past-and-present drama about a 40ish Holocaust survivor (Stephen Dillane) who finds it difficult coping with the present with so many World War II ghosts swirling around in his head. I can't personally cope with Dillane -- he kills each and every film and play that he's in with his withered, crinkly-faced dweeby-ness. And I didn't believe for a second that a 51 year-old pill like Dillane would entice a 28 year-old blonde hottie (Rosamund Pike, last in Fracture) to hop into bed with him and then propose marriage in fairly short order.

I'm going to catch the last half-hour of Juan Antonio Bayona's The Orphanage. Saw it twice in Cannes, and that wasn't quite enough.

Comments

I dunno; I'd hop into bed with Stephen Dillane and then propose marriage in fairly short order.

Stephen Dillane was great in the underrated Greatest Game Ever Played.

Interesting reaction, yet hardly surprising. Ironically today's Toronto Star has a typical piece on "Pieces" and its director; not raving, not condemning. It'll be a solid 2 1/2 star movie when it hits cable next year.

http://www.thestar.com/Special/FilmFest/article/253603

It sounds like the typical Canadian film; terribly well-meaning and terribly boring.

And I work in the Canadian Film Industry ...

I think there's a comparable axiom at Sundance: any movie made by a past festival darling should be approached with the same caution. Those movies seem to be automatically accepted by the fest, regardless of quality.

Did you have to pay for your ticket or did they shove it up your arse?

I tried to read the book once. Couldn't do it. It's the typical eat-your-vegetables novel that overeducated women think they should read.

Other than the occasional ones coming out of Quebec, I cannot sit through any of these depressing Canadian movies either... and I am a Canadian.... it's weird there are so many comedians from Canada, but the Anglo movie industry is so depressing....

Several years back a pal was working on an international co-production series being filmed in Toronto that (not surprisingly) cratered after its one and only season. Describing the chaos of the production he told me:

"The French partners want lots of pretty colors, the Germans want a female lead who is "fuckable", the Americans wanted lots of violence and action … and the Canadians wanted 43 minutes."

"Did you have to pay for your ticket or did they shove it up your arse?" Ahahah! That was funny. Thank you.

I hate press people who get free tickets, watch only ten minutes or the last half hour of a film and then write negative reviews. But at least Wells is an honourable man, explaining how he gets his well-founded opinion on this film.

James Berardinelli at Reelviews.net wasn't all that enthused about the movie, either, essentially calling it one of those typically safe, expected titles one opens a film festival with.

If you do run into Lantos at a party, be sure to ask him for naked stills of Rosamund Pike.

Can't speak much to his film work, but Stephen Dillane gave the single greatest stage performance I've ever seen in Stoppard's THE REAL THING a few years back. Saw the play 3 times and his work (particularly in the London production) was jaw-dropping. That is all.

The only quibble I have with Wells today is that isn't opening

Isn't it axiomatic


ripped off from Paddy Chayefsky's THE HOSPITAL (v.o'd by George C. Scott)?

I will call Wells on that indiscretion!

There's an excellent article about the great divide in Canadian cinema (Quebec and ROC) in the new, 40th anniversary edition of Cineaste.

Post a Comment

Thanks for signing in, . Now you can comment. (sign out)

(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)


Remember me?



Last updated: October 3, 2007

                                       Obviously I'm light in several categories. 

                                      Suggestions and disputations are welcome.

 

BEST PICTUREAustralia (20th Century Fox), The Argentine (Focus Features), Guerilla (Focus Features), Milk (Focus Features), Seven Pounds (Sony), The Curious Case of Benjamin Button (Paramount/Warner Bros.), The Soloist (DreamWorks),  Body of Lies (Warner Bros.), Revolutionary Road (Paramount Vantage/DreamWorks), The Changeling (Universal Pictures),  Frost/Nixon (Universal), Doubt (Miramax), Blindness (Universal Pictures), Defiance (Paramount Vantage), The Duchess (Paramount Vantage), Valkyrie (MGM-UA), The Reader (Weinstein Co.)

BEST DIRECTOR: Fernando Meirelles (Blindness), David Fincher (The Curious Case of Benjamin Button), Ron Howard (Frost/Nixon), Brian Singer (Valkyrie), Baz Luhrmann (Australia), Steven Soderbergh (The Argentine and Guerilla), Gus Van Sant (Milk), Gabriele Muccino (Seven Pounds), Joe Wright (The Soloist), Ridley Scott (Body of Lies), Sam Mendes (Revolutionary Road), Clint Eastwood (Changeling), John Patrick Shanley (Doubt), Edward Zwick (Defiance), Saul Dibb (The Duchess), Stephen Daldry (The Reader)

BEST ACTOR: Leonardo DiCaprio (Revolutionary Road), Brad Pitt (The Curious Case of Benjamin Button), Ralph Fiennes (The Duchess), Hugh Jackman (Australia), Tom Cruise (Valkyrie), Harrison Ford (Crossing Over), Sean Penn (Milk), James Franco (Pineapple Express), Philip Seymour Hoffman (Synecdoche, New York), Heath Ledger (Dark Knight), Will Smith (Seven Pounds), Jamie Foxx (The Soloist)

BEST ACTRESS: Kate Winslet (Revolutionary Road), Angelina Jolie (Changeling), Keira Knightley (The Duchess), Nicole Kidman (Australia)

BEST SUPPORTING ACTOR: Leiv Schreiber (Defiance), Frank Langella (Frost/Nixon), John Malkovich (Changeling and Burn After Reading), Bill Nighy (Valkyrie), Robert Downey Jr. (The Soloist), Robert Downey Jr. (Tropic thunder), James Franco (The Pineapple Express), Alan Alda (Nothing But the Truth)

BEST SUPPORTING ACTRESS: Meryl Streep (Doubt), Amy Adams (Doubt), Vera Farmiga (Nothing But the Truth)

BEST ANIMATED FEATURE: Dr. Seuss' Horton Hears a Who (20th Century Fox)

BEST ORIGINAL SCREENPLAY: Charlie Kaufman (Synecdoche, New York)

BEST ADAPTED SCREENPLAY: Peter Straughan (How to Lose Friends and Alienate People)

SPECIAL EFFECTSIron Man, Indiana Jones and the Kingdom of the Crystal Skull

 


Discland
edited by Jonathan Doyle
Mafioso (The Criterion Collection, 3.18.2008) Nino Badalamenti is a supervisor in a car manufacturing plant who hasn't taken a vacation in over two years. On his way out the door to visit his beloved childhood hometown of Sicily -- with his blonde wife and daughters -- Nino is handed a package by his boss and asked to deliver it to a powerful and influential Sicilian gangster named Don Vincenzo. Once in Sicily, Nino has a hoot seeing friends and family, but his wife has trouble fitting in and is unfairly dismissed as a snob by Nino's family. Even more worrisome, Nino finds himself entangled in an intricate web of secret mafioso dealings and is eventually sent on an unexpectedly... elaborate errand. (continued)


American Express


Inside Elsewhere...

The Barenaked Critic

Michelle discovers a couple of comedy films thanks to the power of Netflix.

The Silver Spotlight

Adam joins the Elsewhere crew from the Windy City and hits the ground running this week.

Upcoming


July 2

Hancock

July 3

The Whackness

July 4

Diminished Capacity

Gonzo: The Life and Work of Hunter S. Thompson

Holding Trevor

Kabluey

We are Together

July 9

Full Battle Rattle

July 11

A Man Named Pearl

August

Eight Miles High

Garden Party

Harold

Hellboy II: The Golden Army

Journey to the Center of the Earth

Meet Dave

Roman Polanski: Wanted and Desired

The Stone Angel

July 18

A Very British Gangster

Before I Forget

The Dark Knight

The Doorman

Felon

Lou Reed's Berlin

Mad Detective

Mamma Mia!

Space Chimps

Take

Transsiberian

July 22

Two Tickets to Paradise

July 23

Boy A