Posted by Jeffrey Wells on September 06, 2007 at 06:53 AM
It is axiomatic that one must must approach all Canadian-produced films chosen to open the Toronto Film Festival with extreme caution. Jeremy Podeswa's Fugitive Pieces, which I just walked out of, conveys this tendency in spades. I was out the door after 30 minutes, but I was looking at my watch after the first 15 minutes. I don't care if it kicks in at the one-hour mark or whatever -- I won't sit through films like this.

I guess this means I'm dead meat as far as the film's producer, Robert Lantos, is concerned. If I run into him at at a party I'll say I'm somebody else.
Pieces is a doleful past-and-present drama about a 40ish Holocaust survivor (Stephen Dillane) who finds it difficult coping with the present with so many World War II ghosts swirling around in his head. I can't personally cope with Dillane -- he kills each and every film and play that he's in with his withered, crinkly-faced dweeby-ness. And I didn't believe for a second that a 51 year-old pill like Dillane would entice a 28 year-old blonde hottie (Rosamund Pike, last in Fracture) to hop into bed with him and then propose marriage in fairly short order.
I'm going to catch the last half-hour of Juan Antonio Bayona's The Orphanage. Saw it twice in Cannes, and that wasn't quite enough.

Last updated: October 3, 2007
Obviously I'm light in several categories.
Suggestions and disputations are welcome.
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Comments
I dunno; I'd hop into bed with Stephen Dillane and then propose marriage in fairly short order.
Posted by: Hal
at
September 6, 2007 07:44 AM
Stephen Dillane was great in the underrated Greatest Game Ever Played.
Posted by: Wrecktum
at
September 6, 2007 07:52 AM
Interesting reaction, yet hardly surprising. Ironically today's Toronto Star has a typical piece on "Pieces" and its director; not raving, not condemning. It'll be a solid 2 1/2 star movie when it hits cable next year.
http://www.thestar.com/Special/FilmFest/article/253603
It sounds like the typical Canadian film; terribly well-meaning and terribly boring.
And I work in the Canadian Film Industry ...
Posted by: Howlingman
at
September 6, 2007 07:59 AM
I think there's a comparable axiom at Sundance: any movie made by a past festival darling should be approached with the same caution. Those movies seem to be automatically accepted by the fest, regardless of quality.
Posted by: erniesouchak
at
September 6, 2007 08:03 AM
Did you have to pay for your ticket or did they shove it up your arse?
Posted by: bagelfilm
at
September 6, 2007 08:11 AM
I tried to read the book once. Couldn't do it. It's the typical eat-your-vegetables novel that overeducated women think they should read.
Posted by: GeorgePrager
at
September 6, 2007 08:56 AM
Other than the occasional ones coming out of Quebec, I cannot sit through any of these depressing Canadian movies either... and I am a Canadian.... it's weird there are so many comedians from Canada, but the Anglo movie industry is so depressing....
Posted by: Moosehead
at
September 6, 2007 09:17 AM
Several years back a pal was working on an international co-production series being filmed in Toronto that (not surprisingly) cratered after its one and only season. Describing the chaos of the production he told me:
"The French partners want lots of pretty colors, the Germans want a female lead who is "fuckable", the Americans wanted lots of violence and action … and the Canadians wanted 43 minutes."
Posted by: Howlingman
at
September 6, 2007 09:29 AM
"Did you have to pay for your ticket or did they shove it up your arse?" Ahahah! That was funny. Thank you.
Posted by: cjKennedy
at
September 6, 2007 09:45 AM
I hate press people who get free tickets, watch only ten minutes or the last half hour of a film and then write negative reviews. But at least Wells is an honourable man, explaining how he gets his well-founded opinion on this film.
Posted by: bagelfilm
at
September 6, 2007 11:56 AM
James Berardinelli at Reelviews.net wasn't all that enthused about the movie, either, essentially calling it one of those typically safe, expected titles one opens a film festival with.
Posted by: Joe M.
at
September 6, 2007 12:08 PM
If you do run into Lantos at a party, be sure to ask him for naked stills of Rosamund Pike.
Posted by: BurmaShave
at
September 6, 2007 03:28 PM
Can't speak much to his film work, but Stephen Dillane gave the single greatest stage performance I've ever seen in Stoppard's THE REAL THING a few years back. Saw the play 3 times and his work (particularly in the London production) was jaw-dropping. That is all.
Posted by: YND
at
September 6, 2007 09:25 PM
The only quibble I have with Wells today is that isn't opening
Isn't it axiomatic
ripped off from Paddy Chayefsky's THE HOSPITAL (v.o'd by George C. Scott)?
I will call Wells on that indiscretion!
Posted by: malibugigolo
at
September 6, 2007 10:04 PM
There's an excellent article about the great divide in Canadian cinema (Quebec and ROC) in the new, 40th anniversary edition of Cineaste.
Posted by: btwnproductions
at
September 7, 2007 11:58 AM
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