Posted by Jeffrey Wells on October 21, 2007 at 12:28 PM
I respectfully disagree with Todd McCarthy's half-positive, half-dismissive Variety review of Ridley Scott's American Gangster, and his view in particular that "maximizing a gritty big-city story requires a credibility composed of thousands of small details, and this is one area where a citizen-of-the-world director like Scott can't excel."

The situation, he says, is "akin to asking [Sidney] Lumet or [Martin] Scorsese to make a definitive film about crime in '70s Newcastle -- they could do a respectable, even exciting job of it, but it probably wouldn't ring deeply true."
But it does ring true. For me, anyway. Brits are famous for delivering American-set crime dramas with great chops and authenticity (as Karel Reisz managed with Who'll Stop the Rain and John Boorman did with Point Blank), and this is one of those cases. I believed every New York second of American Gangster. For my money, Scott has not only skillfully channelled Lumet and Scorsese but the entire hallowed universe of '70s urban filmmaking.
"American Gangster wants to be a great epic crime saga so badly you can feel it," McCarthy says. "The true story at its core -- of the rise, fall and redemption of a '70s-era Harlem drug lord -- is so terrific, it's amazing it wasn't put onscreen long ago, and it would be difficult today to find two better actors to pit against one another, as hoodlum and cop, respectively, than Denzel Washington and Russell Crowe.
"With so many elements going for it, this big, fat Universal release is absorbing, exciting at times and undeniably entertaining, and is poised to be a major commercial hit. But great it's not.
"Memories of numerous classics hang over this film like banners commemorating past championship teams -- The Godfather, Serpico, Prince of the City,, Scarface and Goodfellas, among other modern-era crime-pic landmarks. Like most of those, this is a quintessential New York story, one you feel could have been the basis for a Sidney Lumet masterpiece.
"But while American Gangster is made with consummate professionalism on every level, it just doesn't quite feel like the real deal; it delivers, but doesn't soar."

Last updated: October 3, 2007
Obviously I'm light in several categories.
Suggestions and disputations are welcome.
BEST PICTURE: Australia (20th Century Fox), The Argentine (Focus Features), Guerilla (Focus Features), Milk (Focus Features), Seven Pounds (Sony), The Curious Case of Benjamin Button (Paramount/Warner Bros.), The Soloist (DreamWorks), Body of Lies (Warner Bros.), Revolutionary Road (Paramount Vantage/DreamWorks), The Changeling (Universal Pictures), Frost/Nixon (Universal), Doubt (Miramax), Blindness (Universal Pictures), Defiance (Paramount Vantage), The Duchess (Paramount Vantage), Valkyrie (MGM-UA), The Reader (Weinstein Co.)
BEST DIRECTOR: Fernando Meirelles (Blindness), David Fincher (The Curious Case of Benjamin Button), Ron Howard (Frost/Nixon), Brian Singer (Valkyrie), Baz Luhrmann (Australia), Steven Soderbergh (The Argentine and Guerilla), Gus Van Sant (Milk), Gabriele Muccino (Seven Pounds), Joe Wright (The Soloist), Ridley Scott (Body of Lies), Sam Mendes (Revolutionary Road), Clint Eastwood (Changeling), John Patrick Shanley (Doubt), Edward Zwick (Defiance), Saul Dibb (The Duchess), Stephen Daldry (The Reader)
BEST ACTOR: Leonardo DiCaprio (Revolutionary Road), Brad Pitt (The Curious Case of Benjamin Button), Ralph Fiennes (The Duchess), Hugh Jackman (Australia), Tom Cruise (Valkyrie), Harrison Ford (Crossing Over), Sean Penn (Milk), James Franco (Pineapple Express), Philip Seymour Hoffman (Synecdoche, New York), Heath Ledger (Dark Knight), Will Smith (Seven Pounds), Jamie Foxx (The Soloist)
BEST ACTRESS: Kate Winslet (Revolutionary Road), Angelina Jolie (Changeling), Keira Knightley (The Duchess), Nicole Kidman (Australia)
BEST SUPPORTING ACTOR: Leiv Schreiber (Defiance), Frank Langella (Frost/Nixon), John Malkovich (Changeling and Burn After Reading), Bill Nighy (Valkyrie), Robert Downey Jr. (The Soloist), Robert Downey Jr. (Tropic thunder), James Franco (The Pineapple Express), Alan Alda (Nothing But the Truth)
BEST SUPPORTING ACTRESS: Meryl Streep (Doubt), Amy Adams (Doubt), Vera Farmiga (Nothing But the Truth)
BEST ANIMATED FEATURE: Dr. Seuss' Horton Hears a Who (20th Century Fox)
BEST ORIGINAL SCREENPLAY: Charlie Kaufman (Synecdoche, New York)
BEST ADAPTED SCREENPLAY: Peter Straughan (How to Lose Friends and Alienate People)
SPECIAL EFFECTS: Iron Man, Indiana Jones and the Kingdom of the Crystal Skull
Michelle discovers a couple of comedy films thanks to the power of Netflix.
Adam joins the Elsewhere crew from the Windy City and hits the ground running this week.
July 2
July 3
July 4
Diminished Capacity
Gonzo: The Life and Work of Hunter S. Thompson
We are Together
July 9
July 11
August
Eight Miles High
Journey to the Center of the Earth
Roman Polanski: Wanted and Desired
July 18
A Very British Gangster
Before I Forget
Felon
Lou Reed's Berlin
Transsiberian
July 22
July 23
Comments
First!
Ha! In your face, people who weren't first!
(sorry.... thought I was on AICN)
Posted by: Walter Sobchak
at
October 21, 2007 01:00 PM
what he says could be true but only for those who could detect the subtle differences..most filmgoers wont and wont give a shit. they want to see two great performers doing their thing with crime as the back drop, sidney lumet?! you think 22yr olds know from sidney..there should be a well cast gangster movie every year!!!
Posted by: vansmith
at
October 21, 2007 01:20 PM
I'm still waiting for Virtuosity II.
Posted by: Josh Massey
at
October 21, 2007 01:35 PM
Point Blank is great, but it's more of an art film than a gritty action movie.
Posted by: jeffmcm
at
October 21, 2007 02:12 PM
How about Donnie Brasco directed by Mike Newell. One of the best and most authentic.
Posted by: lawnorder
at
October 21, 2007 02:22 PM
Walter Sobchak: some blogsites out there actually forbid First! comments, & ban people who still do it. I'll bet tho that Jeffrey is a more tolerant man (for your sake!) ;)
Re American Gangster's Oscar chances, could the Academy go for a gangster/crime film best picture 2 years in a row?
Weird, but that American Gangster review is exactly what my feelings about The Departed were last year: "undeniably entertaining ... but great it's not."
Posted by: silver
at
October 21, 2007 02:24 PM
I like R.S. and expect great things from Crowe on nearly every outing. But in seeing this trailer over and over the weakest part of the film seems like it is Denzel. I have tremendous respect for him but the delivery, swagger, tone of his character looks like the same old Denzel acting mannerisms that I've seen over and over during his career.
Anybody have this reaction to the trailer as well? Hopefully there's something more to it because my reaction right now is "been there, done that."
Posted by: renorambler
at
October 21, 2007 02:34 PM
renorambler: "but the delivery, swagger, tone of his character looks like the same old Denzel acting mannerisms that I've seen over and over during his career."
Point taken, but that's why I worship Washington; for the same reason I'll watch Bogart or Cagney in anything: Neither played against type often and it was watching them do what they did best in films built around them -- Ridley Scott's specialty -- that keeps me coming back.
As someone who loathed "The Departed" because of the two weak main players (Damon, Leo), piled on contrivances, and an over-the-top Nicholson, AG is the film I've been waiting for all year.
Denzel and Nicholas Pileggi: The most exciting thing to happen to the gangster film in ten years.
Posted by: Dirty Harry
at
October 21, 2007 02:59 PM
Denzel has his individual style and superficial mannerisms which remain generally consistent. He's that type of actor, and always has been. So what? So was DeNiro in most of his best work (in fact, DeNiro was usually embarassing when he's trying not to be DeNiro-esque--ie Frankenstein or Rocky And Bullwinkle). Same for Hackman, Nicholson
I don't give a shit if Jimmy Stewart still looked and sounded like Jimmy Stewart in Vertigo. It's an all-time great performance, regardless of the fact that his superfical mannerisms weren't that different from most of his other characters. I'm tired of this bullshit where people think you've got to do funny voices, walks and all that crap to create a distinct characterisation. I happen to admire the consistency of Washington's screen persona. It's old school in a sense, but damned effective.
Posted by: houmas
at
October 21, 2007 03:06 PM
And Denzel looks far and away the best thing the trailers imho, which most of the reviews so far (even McCarthy) seem to confirm. Crowe's brilliant and I admire his work, but I'm watching this film to see Washington do his bit for onscreen gangsterism.
Posted by: houmas
at
October 21, 2007 03:12 PM
What no one's saying about this movie is that Crowe is really in a supporting role. It's the Denzel show all the way, and it's too bad, because Crowe is the more interesting performer.
Posted by: erniesouchak
at
October 21, 2007 06:39 PM
While I was watching the DVD of THE DUELLISTS the other day Ridley Scott said in passing on one of the extras that before it he had tried to get a film version of the London Gun-Powder Plot off the ground. I would love for him to try to resurrect that now. As we know, Guy Fawkes was the only man to ever enter Parliament with noble intentions.
Posted by: BurmaShave
at
October 21, 2007 10:13 PM
THIRTEENTH!
Posted by: PerfectTommy
at
October 22, 2007 03:12 AM
It does ring true?? Russel Crowe's Betty Boop accent sounds like a real NY accent to you?
Posted by: delbomber
at
October 22, 2007 03:10 PM
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