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McCarthy on "Gangster"

Posted by Jeffrey Wells on October 21, 2007 at 12:28 PM

I respectfully disagree with Todd McCarthy's half-positive, half-dismissive Variety review of Ridley Scott's American Gangster, and his view in particular that "maximizing a gritty big-city story requires a credibility composed of thousands of small details, and this is one area where a citizen-of-the-world director like Scott can't excel."


(l. to r.) Russell Crowe, Ridley Scott, Denzel Washington during the making of American Gangster

The situation, he says, is "akin to asking [Sidney] Lumet or [Martin] Scorsese to make a definitive film about crime in '70s Newcastle -- they could do a respectable, even exciting job of it, but it probably wouldn't ring deeply true."

But it does ring true. For me, anyway. Brits are famous for delivering American-set crime dramas with great chops and authenticity (as Karel Reisz managed with Who'll Stop the Rain and John Boorman did with Point Blank), and this is one of those cases. I believed every New York second of American Gangster. For my money, Scott has not only skillfully channelled Lumet and Scorsese but the entire hallowed universe of '70s urban filmmaking.

"American Gangster wants to be a great epic crime saga so badly you can feel it," McCarthy says. "The true story at its core -- of the rise, fall and redemption of a '70s-era Harlem drug lord -- is so terrific, it's amazing it wasn't put onscreen long ago, and it would be difficult today to find two better actors to pit against one another, as hoodlum and cop, respectively, than Denzel Washington and Russell Crowe.

"With so many elements going for it, this big, fat Universal release is absorbing, exciting at times and undeniably entertaining, and is poised to be a major commercial hit. But great it's not.

"Memories of numerous classics hang over this film like banners commemorating past championship teams -- The Godfather, Serpico, Prince of the City,, Scarface and Goodfellas, among other modern-era crime-pic landmarks. Like most of those, this is a quintessential New York story, one you feel could have been the basis for a Sidney Lumet masterpiece.

"But while American Gangster is made with consummate professionalism on every level, it just doesn't quite feel like the real deal; it delivers, but doesn't soar."

Comments

First!

Ha! In your face, people who weren't first!

(sorry.... thought I was on AICN)

what he says could be true but only for those who could detect the subtle differences..most filmgoers wont and wont give a shit. they want to see two great performers doing their thing with crime as the back drop, sidney lumet?! you think 22yr olds know from sidney..there should be a well cast gangster movie every year!!!

I'm still waiting for Virtuosity II.

Point Blank is great, but it's more of an art film than a gritty action movie.

How about Donnie Brasco directed by Mike Newell. One of the best and most authentic.

Walter Sobchak: some blogsites out there actually forbid First! comments, & ban people who still do it. I'll bet tho that Jeffrey is a more tolerant man (for your sake!) ;)

Re American Gangster's Oscar chances, could the Academy go for a gangster/crime film best picture 2 years in a row?

Weird, but that American Gangster review is exactly what my feelings about The Departed were last year: "undeniably entertaining ... but great it's not."

I like R.S. and expect great things from Crowe on nearly every outing. But in seeing this trailer over and over the weakest part of the film seems like it is Denzel. I have tremendous respect for him but the delivery, swagger, tone of his character looks like the same old Denzel acting mannerisms that I've seen over and over during his career.

Anybody have this reaction to the trailer as well? Hopefully there's something more to it because my reaction right now is "been there, done that."

renorambler: "but the delivery, swagger, tone of his character looks like the same old Denzel acting mannerisms that I've seen over and over during his career."

Point taken, but that's why I worship Washington; for the same reason I'll watch Bogart or Cagney in anything: Neither played against type often and it was watching them do what they did best in films built around them -- Ridley Scott's specialty -- that keeps me coming back.

As someone who loathed "The Departed" because of the two weak main players (Damon, Leo), piled on contrivances, and an over-the-top Nicholson, AG is the film I've been waiting for all year.

Denzel and Nicholas Pileggi: The most exciting thing to happen to the gangster film in ten years.

Denzel has his individual style and superficial mannerisms which remain generally consistent. He's that type of actor, and always has been. So what? So was DeNiro in most of his best work (in fact, DeNiro was usually embarassing when he's trying not to be DeNiro-esque--ie Frankenstein or Rocky And Bullwinkle). Same for Hackman, Nicholson

I don't give a shit if Jimmy Stewart still looked and sounded like Jimmy Stewart in Vertigo. It's an all-time great performance, regardless of the fact that his superfical mannerisms weren't that different from most of his other characters. I'm tired of this bullshit where people think you've got to do funny voices, walks and all that crap to create a distinct characterisation. I happen to admire the consistency of Washington's screen persona. It's old school in a sense, but damned effective.

And Denzel looks far and away the best thing the trailers imho, which most of the reviews so far (even McCarthy) seem to confirm. Crowe's brilliant and I admire his work, but I'm watching this film to see Washington do his bit for onscreen gangsterism.

What no one's saying about this movie is that Crowe is really in a supporting role. It's the Denzel show all the way, and it's too bad, because Crowe is the more interesting performer.

While I was watching the DVD of THE DUELLISTS the other day Ridley Scott said in passing on one of the extras that before it he had tried to get a film version of the London Gun-Powder Plot off the ground. I would love for him to try to resurrect that now. As we know, Guy Fawkes was the only man to ever enter Parliament with noble intentions.

THIRTEENTH!

It does ring true?? Russel Crowe's Betty Boop accent sounds like a real NY accent to you?

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Last updated: October 3, 2007

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Discland
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