Posted by Jeffrey Wells on January 17, 2008 at 08:03 PM
Martin McDonagh's In Bruges (Focus Features, 2.8) is a much, much better film than the trailer suggests. It's a classic "surprise" package -- looks like nothing but fastballs, is actually about curves, sliders and change-ups. As bright and fully considered as a good play (no surprise) with affecting portions of heart, compassion and symmetry. And laughs -- it's a very funny piece.

I've just come from the opening-night screening of this fascinating, above- average intellectual crime romp at Park City's Eccles Theatre, and I'm waiting for the after-party to start at 10 pm.
The In Bruges trailer isn't an out-and-out lie, but it ignores what's really fine and special about the film. Critics and bloggers are supposed to spread the word (and I'm doing that right now) but why didn't Focus let me see this film last Monday? I wouldn't have to be sitting in a bar and banging this out right now.
We're living in a twisted marketing world today. Got a gangster film that works for adult viewers as well as action fans? Keep the critics from seeing before it plays Sundance, and do everything in your power to persuade the adults in the ad campaign that this movie is not for them -- sell only to the under-30 adrenaline junkies. Sell it as a hyper, funny, gun-crazy Guy Ritchie or early Quentin Tarantino crime film. Thematic richness be damned. Skillfully written characters, moments of tenderness, oddball humor...fuck all that! Just go for the guns, guys and popcorn.

In Bruges has a good amount of gunplay and blood in the third act, yes, but it's mainly about tourism, morality, character, good writing, humanity and terrible guilt. It's about standing up for what you believe (even if it hurts), and also about on-the-fly whimsy and joy and weirdness and pretty girls and pretty views.
Did I mention that it's funny and sometimes hilarious? I did?
In Bruges also delights because it offers another deeply touching performance by Colin Farrell, playing a young screw-up who develops a conscience and a soul along the way. It's a revelation for those who may have thought Farrell was on the ropes. He's found his thing -- he magnificent at playing morally tortured losers. This on top of his enormously touching turn as a somewhat similar character in Woody Allen's Cassandra's Dream tells me he's turned a big corner.
McDonagh, a famed playwright in London and New York circles, has composed a delightfully skewed, carefully balanced watercolor crime movie. And shown at the same time that he knows from visual energy and how to make a scene or shot really come off.

This is the best opening-night Sundance film I've ever seen. I know that's not saying much because the tendency is always to play soft audience pleasers, but In Bruges is a lot more than just "pleasing" or "entertaining."
Costars Brendan Gleason and Ralph Fiennes are awesome as well -- funny, vulnerable, thoughtful. The supporting cast, in fact, is one of the biggest pleasures because every character has angularity, intrigue, particularity. I'll get into this a bit more tomorrow, but this has been a delightful Sundance start.

Last updated: October 3, 2007
Obviously I'm light in several categories.
Suggestions and disputations are welcome.
BEST PICTURE: Australia (20th Century Fox), The Argentine (Focus Features), Guerilla (Focus Features), Milk (Focus Features), Seven Pounds (Sony), The Curious Case of Benjamin Button (Paramount/Warner Bros.), The Soloist (DreamWorks), Body of Lies (Warner Bros.), Revolutionary Road (Paramount Vantage/DreamWorks), The Changeling (Universal Pictures), Frost/Nixon (Universal), Doubt (Miramax), Blindness (Universal Pictures), Defiance (Paramount Vantage), The Duchess (Paramount Vantage), Valkyrie (MGM-UA), The Reader (Weinstein Co.)
BEST DIRECTOR: Fernando Meirelles (Blindness), David Fincher (The Curious Case of Benjamin Button), Ron Howard (Frost/Nixon), Brian Singer (Valkyrie), Baz Luhrmann (Australia), Steven Soderbergh (The Argentine and Guerilla), Gus Van Sant (Milk), Gabriele Muccino (Seven Pounds), Joe Wright (The Soloist), Ridley Scott (Body of Lies), Sam Mendes (Revolutionary Road), Clint Eastwood (Changeling), John Patrick Shanley (Doubt), Edward Zwick (Defiance), Saul Dibb (The Duchess), Stephen Daldry (The Reader)
BEST ACTOR: Leonardo DiCaprio (Revolutionary Road), Brad Pitt (The Curious Case of Benjamin Button), Ralph Fiennes (The Duchess), Hugh Jackman (Australia), Tom Cruise (Valkyrie), Harrison Ford (Crossing Over), Sean Penn (Milk), James Franco (Pineapple Express), Philip Seymour Hoffman (Synecdoche, New York), Heath Ledger (Dark Knight), Will Smith (Seven Pounds), Jamie Foxx (The Soloist)
BEST ACTRESS: Kate Winslet (Revolutionary Road), Angelina Jolie (Changeling), Keira Knightley (The Duchess), Nicole Kidman (Australia)
BEST SUPPORTING ACTOR: Leiv Schreiber (Defiance), Frank Langella (Frost/Nixon), John Malkovich (Changeling and Burn After Reading), Bill Nighy (Valkyrie), Robert Downey Jr. (The Soloist), Robert Downey Jr. (Tropic thunder), James Franco (The Pineapple Express), Alan Alda (Nothing But the Truth)
BEST SUPPORTING ACTRESS: Meryl Streep (Doubt), Amy Adams (Doubt), Vera Farmiga (Nothing But the Truth)
BEST ANIMATED FEATURE: Dr. Seuss' Horton Hears a Who (20th Century Fox)
BEST ORIGINAL SCREENPLAY: Charlie Kaufman (Synecdoche, New York)
BEST ADAPTED SCREENPLAY: Peter Straughan (How to Lose Friends and Alienate People)
SPECIAL EFFECTS: Iron Man, Indiana Jones and the Kingdom of the Crystal Skull
Michelle discovers a couple of comedy films thanks to the power of Netflix.
Adam joins the Elsewhere crew from the Windy City and hits the ground running this week.
August 27
August 29
Disaster Movie
My Mexican Shivah
September 3
The Pool
September 5
August Evening
Bangkok Dangerous
Save Me
Comments
Good to know. I was hoping the trailer would mask something better, something not so GROSSE POINTE BLANK (not that there's anything wrong with that - it's just old hat ten years later). Plus, with that cast, there has to be something worth seeing. We'll see...
After THE NEW WORLD, and (I'm ducking as I type this) MIAMI VICE, I became a fan of Farrell's. Glad he has two more coming out that will hopefully just reinforce that sentiment.
CASSANDRA'S DREAM looks great. Looks like the third chapter in an unofficial trilogy (CRIMES... MATCH POINT...). Here's to the older, angrier Woodster...
Posted by: JB Moore
at
January 17, 2008 09:19 PM
How about Farrell as Pretty Boy Floyd in Michael Mann's next flick?
Good to hear about In Bruges. I can't wait to see this. Ed Douglas gave it a 9/10.
McDonagh is someone to look out for...not that he wasn't prior to In Bruges.
Posted by: Mr. Gittes
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January 17, 2008 09:26 PM
Awesome. Im seeing this at a screening next week here in Chicago. McDonagh is going to be answering some questions...I think I should try to come up with some.
Posted by: Hash
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January 17, 2008 09:40 PM
Best script ever.
Posted by: Rothchild
at
January 17, 2008 10:02 PM
The trailer looked okay to me, but all I really needed was to see McDonagh's name. His track record is so good that's enough.
Posted by: Larry
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January 17, 2008 10:34 PM
Asshole Elsewhere
Jeffrey Wells skipped THE ENTIRE LINE AT THE IN BRUGES PARTY...
...WALKED UP TO THE PERSON AT THE DOOR and they said, "you'll have to wait in line, sir." He said, "DO YOU KNOW WHO I AM?!"
Jeffrey Wells is a goddamn asshole. Goodnight, everyone.
Posted by: Rothchild
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January 18, 2008 12:04 AM
yikes!..... wanna see where this goes....
Posted by: scooterzz
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January 18, 2008 12:16 AM
Jeff,
Glad to hear I'm not the only one who dug "In Bruges." Seems everyone I was talking to afterward was so-so on it. Agreed that it's the best film to open Sundance in I don't know how long.
What pissed me off about the trailer is that in showing a specific with Ralph Fiennes late in the movie, it ruins the tension of an earlier scene. You know which one I mean.
Missed you at the Yarrow tonight. Too good for the press screenings? Elvis Mitchell was there, but you couldn't be? :)
Hopefully will catch you at something else.
Posted by: thatrader
at
January 18, 2008 12:28 AM
All of this is immaterial. What are it's OSCAR CHANCES? AWGSHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHASDFASDFh Blam.
Posted by: BurmaShave
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January 18, 2008 12:56 AM
http://www.worstpreviews.com/trailer.php?id=1000&item=0
Speaking of which, the DEFIANCE trailer. Plenty of milky white light, English spoken in a foreign accent, uplift, etc. Wells' worst nightmare.
Posted by: BurmaShave
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January 18, 2008 01:50 AM
Rothchild, someone wants to buy you a drink, either in Park City or LA afterwards.
Posted by: jeffmcm
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January 18, 2008 01:59 AM
You know how sometimes you squirm in your seat on someone elses behalf? http://www.youtube.com/watch?v=xEI7ekLjLSc
Posted by: UnChien
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January 18, 2008 02:18 AM
McDonagh's provided some of my favorite moments in the theatre of late. THE LT. OF INISHMORE was terrific fun, as was BEAUTY QUEEN OF LENANE. THE PILLOWMAN had real emotional heft to it. So happy to hear that he might be making the transition to movies with his talent intact. Doesn't always go down that way.
Posted by: tophertilson
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January 18, 2008 04:39 AM
So it's better than Smokin' Aces?
Posted by: Mgmax
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January 18, 2008 06:20 AM
"...looks like nothing but fastballs, is actually about curves, sliders and change-ups."
I'm assuming Nolan Ryan fastballs, Bert Blyleven curves, Randy Johnson sliders, and, of course, Hoyt Wilhem change-ups.
Posted by: AJW
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January 18, 2008 06:40 AM
I have never understood the pass that Colin Farrell gets on this site. His Oxycodone addled performance in the laughably pretentious Miami vice was somewhat ameliorated by watching his Eugene levy-like eyebrows dry-humping his forehead. The guy looks like the spawn of an unholy coupling between Ernest Borgnine and Tyne Daly, and he emotes as well as a 10 pound sack of damp dryer lint. BTW I saw Jeffery yelling insults at fat people at a Whole foods hot bar.
Posted by: abuseintake
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January 18, 2008 06:41 AM
Wells to Rothchild: I was at the back of the line and a woman in front of me asked me, "What's this party for?" I told her it was for "In Bruges" and she told her three friends, who were ahead of her, and they all giggled with excitement. I realized all of a sudden that this was a lookie-lou, pretty-please?, I-want-to meet Colin Farrell line of people with NO POWER, so I said screw this and walked to the front to ask what the deal was...not to get ahead of everyone, but to ASK. At that very moment Geoff Gilmore and his party pulled up to the curb and I figured, well, maybe I'll just join this group -- I had my laminated invite anyway and I would just flash it as I went in. So I did that. Gilmore was cool with me joining up. I can't wait in line to get into a party under anyt circmstance. It's against my principles.
Posted by: gruver1
at
January 18, 2008 06:56 AM
Relax, everyone. We all know the life of an internet blogger is marginal at best, so if Jeffrey needs to skip the line and crash the party every once in a while to avoid the cold, clammy grip of inconsequentiality, I say let the sun shine free, my friends, as a dog's ass is surely waiting.
Posted by: p.Vice
at
January 18, 2008 07:05 AM
Wow, can't wait to see In Bruges. The trailer made it out to be a fun movie...now I expect something serious. Farrell's did great, interesting work in The New World, Miami Vice and Ask the Dust and I can't wait to see him here.
Posted by: actionman
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January 18, 2008 07:26 AM
actionman, are you def seeing Floverclaw this weekend, cuz it's playing next Sunday. Is there a trend in movies starting as one thing and becoming another? I can think of two, L-C and TWBB (as Gaydos has said so well, way back when).
Posted by: T. Holly
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January 18, 2008 08:02 AM
T. Holly is a visitor from the future, speaking a form of English we only half understand.
Posted by: Mgmax
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January 18, 2008 08:50 AM
"actionman, are you def seeing Floverclaw this weekend, cuz it's playing next Sunday"
I don't follow this...
I am seeing the film tomorrow...Cloverfield that is...I'm looking forward to In Bruges.
Posted by: actionman
at
January 18, 2008 09:52 AM
"At that very moment Geoff Gilmore and his party pulled up to the curb and I figured, well, maybe I'll just join this group -- I had my laminated invite anyway and I would just flash it as I went in."
Why did I just flash on the scene in Pee Wee's Big Adventure where he follows Milton Berle into the studio and pinches the security guard on the cheek?
Posted by: Rich S.
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January 18, 2008 11:56 AM
He said, "DO YOU KNOW WHO I AM?!"
And in a line of red-staters with NO POWER to boot;]
I feel like you haven't actually lived in Los Angeles until you've honest-to-gawd heard somebody say, "Do you know who I am?" trying to gain access.
Once, I was in an oversold line at the DGA, waiting with a pissed Sean Penn and Dennis Hopper, to get into the screening of a film I was actually in, and lo, I heard those magic furious words (but not from Penn or Hopper) to the doorman. Life is too short, so I took that as my cue to leave and grab some food at Toi. Where nobody knows who I am.
Posted by: christian
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January 18, 2008 12:25 PM
Wells to Christian: I did not say nor will I ever say, "Do you know who I am?" TO anyone. Under any circumstances. I will, however, occasionally say "eat my ass" to this and that talk-backer.
Posted by: gruver1
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January 18, 2008 12:56 PM
I didn't think you actually said it, Jeff. I was just riffing on the phrase.
Posted by: christian
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January 18, 2008 01:11 PM
I hate any line to get into a "important" party/club/bar...if you can slip in without blatantly fucking the other people in line, more power. I declare a pass to Jeff Well.
I can't wait to see this now, it looked like there was a quiet potential when I saw the trailer in front of There Will Be Blood. And it is good for Farrell to stop taking the paycheck, he was good in Tigerland, Vice, The New World and a few others...even Minority Report.
Posted by: iamjoe
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January 18, 2008 07:55 PM
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