Discland
edited by Jonathan Doyle
Cloverfield [BLU-RAY] (Paramount Home Entertainment, 6.3.2008) Disguised under deliberately goofy, yet deliciously edible-sounding, aliases such as Cheese and Slusho, Matt Reeves' Cloverfield was produced and rushed into theaters under an equally appetizing shroud of secrecy. From last year's incredibly elusive Super Bowl ad to the film's viral marketing campaign, Cloverfield had everybody scratching their heads and drooling in anticipation. Aside from the as-yet untitled title and the Blair Witch-ian visual style, the film's biggest appeal was the enigmatic creature who was last (un)seen hurling the decapitated head of the Statue of Liberty onto the crowded streets of New York City. All we knew about the mysterious beast was that it was big and angry. Now that the highy-anticipated project has come and gone, one question has fortunately been answered: Cloverfield was a major success. (continued)

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July 2

Hancock

July 3

The Whackness

July 4

Diminished Capacity

Gonzo: The Life and Work of Hunter S. Thompson

Holding Trevor

Kabluey

We are Together

July 9

Full Battle Rattle

July 11

A Man Named Pearl

August

Eight Miles High

Garden Party

Harold

Hellboy II: The Golden Army

Journey to the Center of the Earth

Meet Dave

Roman Polanski: Wanted and Desired

The Stone Angel

July 18

A Very British Gangster

Before I Forget

The Dark Knight

The Doorman

Felon

Lou Reed's Berlin

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Mamma Mia!

Space Chimps

Take

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July 22

Two Tickets to Paradise

July 23

Boy A




 


Discland Archive

The Rolling Stones Rock and Roll Circus

(Abkco Films, 10.12.2004)

Spiffily restored, sonically impeccable and bursting at the seams with extra features, this admirable DVD also explains why its epochal 1968 show in an intimate circus tent by the Stones, The Who, and a Lennon/Clapton/Mitch Mitchell/Keith Richards supergroup got lost for decades in Ian Stewart's barn.

Commentary tracks by Jagger and director Michael Lindsay-Hogg downplay the long-dominant rumor that the Stones' performance, mostly of Beggar's Banquet tunes, was bad, and upstaged by the soon-to-be-operatic Who's dazzling performance of the proto-Tommy tune "A Quick One While He's Away." They claim the film was shelved more because of imminent corpse-to-be Brian Jones' sad, stoned state in his last Stones appearance.

Indeed, the non-doomed Stones are good, considering they were knackered after 16 hours of stage-managing other acts (including then-obscure Jethro Tull, Taj Mahal, and some lousy acrobats there to fulfill the Fellini-derived cheesy-circus concept). The never-before-seen takes by Taj and Lennon's band are solid. It's priceless to see Jagger and Lennon clown it up, with Jagger impersonating their soulless manager Allen Klein (who gives Abko its name). "Ah, those were the days!" Lennon faux-reminisces.

Jagger sings "You Can't Always Get What You Want" directly into the astoundingly gorgeous face of Marianne Faithfull. Her own performance lacks the confidence and gritty timbre that today redeem her once-annoying vibrato, but her commentary and Rolling Stone's David Dalton are the best. Jagger wrote the song to implore her not to die on heroin. She almost did soon after, and about one-third of the performers on this DVD were on junk, including Lennon, desperate not to vomit on-camera onto his toddler son, whom he was Courtney Lovesquely looking after.

Heroin was the sympathetic devil in the song (inspired by the book Faithfull gave him, Bulgakov's The Master and Margarita), poignantly sung here. Faithfull explains that Jagger was never a devotee of Satan but, she allows, "a devotee of satin, perhaps." -- Tim Appelo

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