Discland
edited by Jonathan Doyle
Cloverfield [BLU-RAY] (Paramount Home Entertainment, 6.3.2008) Disguised under deliberately goofy, yet deliciously edible-sounding, aliases such as Cheese and Slusho, Matt Reeves' Cloverfield was produced and rushed into theaters under an equally appetizing shroud of secrecy. From last year's incredibly elusive Super Bowl ad to the film's viral marketing campaign, Cloverfield had everybody scratching their heads and drooling in anticipation. Aside from the as-yet untitled title and the Blair Witch-ian visual style, the film's biggest appeal was the enigmatic creature who was last (un)seen hurling the decapitated head of the Statue of Liberty onto the crowded streets of New York City. All we knew about the mysterious beast was that it was big and angry. Now that the highy-anticipated project has come and gone, one question has fortunately been answered: Cloverfield was a major success. (continued)

Upcoming

October 17

The Elephant King

Filth and Wisdom

Mary

Max Payne

Morning Light

The Secret Life of Bees

Sex Drive

True Loved

W.

What Just Happened

October 22

Fear(s) of the Dark

Stranded, I Have Come From a Plane that Crashed on the Mountains

October  24

Changeling

Dalton Trumbo's Johnny Got His Gun

High School Musical 3: Senior Year

I've Loved You So Long

Let the Right One In

Passengers

Pride and Glory

Roadside Romeo

Saw V

Synecdoche, New York

The Universe of Keith Haring

October 29

The First Basket





Discland Archive

Looney Tunes Golden Collection, Volume Two

(Warner Home Video, 11.2.2004)

Continuing the herculean task of restoring their classic animated shorts (which number well into the hundreds), Warner Home Video has released another 60 of their cartoons on DVD in a second go-round that includes still more of their classics mixed with a few obscurities. How can you not smile knowing that the classic "What's Opera Doc?" is included here with its ever-memorable mantra of "Kill da wabbit" that remains imbedded in the head of anyone over the age of thirty who watched Saturday morning cartoons with any regularity.

The Wagner-by-way-of-Chuck-Jones-and-Carl-Stalling short also gets the most lavish amount of extras, including alternate audio tracks, a short behind the scenes documentary, and dual commentary tracks. Another popular short that was conspicuously absent from the last collection, Chuck Jones' "One Froggy Evening" (which now has the dubious distinction of providing the WB network with its logo) is also included here with an isolated music track, a commentary track, and a making-of-documentary.

Some lesser-known shorts that may provoke the reaction of "I remember this one ..." are "I Love to Sing-a" ("about the moon-a, and the June-a, and the spring-a"), "Katnip Kollege," and "The Hep Cat". But fans for whom this set really delivers are admirers of The Road Runner and Wile E. Coyote. The lion's share of the third disc is devoted to their acme-products-inspired chaos. Tweety and Sylvester get a similiar piece of the pie on the second disc. Between this set and the first volume, fans of Warners' animated classics have more than enough of the greatest hits of their childhood to pass on to their own kids.

The majority of the shorts on each disc have some kind of extra feature, such as a commentary or isolated score track, and each disc has at least one featurette that tries to explain the appeal of the character featured on the disc. But listening to animation historians ruminate on the importance of these characters is beside the point. It's all about the toons, man, and the quality of the animation, which Warners' restoration team does an excellent job of showcasing.

The feature that most clearly illustrates the downfall of Warners' animation, however, is a television special included on the first disc, a 50th anniversary Bugs Bunny special from the 80s. The bored, "where's my paycheck" look of celebrities ranging from David Bowie, Penny Marshall and Jeremy Irons, combined with the sad-sack, rushed animation of the newer Bugs appearances is a marked contrast to the zip and zing found in the shorts and even the TV show credit sequences included in the set. Do yourself a favor and skip this bit. There are more than enough cartoons to keep you occupied and you will want the half-hour of your life back that this takes up. It's like preferring to remember that lively, funny, favorite uncle of yours as he was, rather than thinking of the scary-looking lifeless figure in the funeral home casket. -- Christopher Hyatt