Discland
edited by Jonathan Doyle
Cloverfield [BLU-RAY] (Paramount Home Entertainment, 6.3.2008) Disguised under deliberately goofy, yet deliciously edible-sounding, aliases such as Cheese and Slusho, Matt Reeves' Cloverfield was produced and rushed into theaters under an equally appetizing shroud of secrecy. From last year's incredibly elusive Super Bowl ad to the film's viral marketing campaign, Cloverfield had everybody scratching their heads and drooling in anticipation. Aside from the as-yet untitled title and the Blair Witch-ian visual style, the film's biggest appeal was the enigmatic creature who was last (un)seen hurling the decapitated head of the Statue of Liberty onto the crowded streets of New York City. All we knew about the mysterious beast was that it was big and angry. Now that the highy-anticipated project has come and gone, one question has fortunately been answered: Cloverfield was a major success. (continued)

Discland Archive

Short Cuts

(The Criterion Collection, 11.16.2004)

Robert Altman was rising from the dead for the fourth or fifth time when he finally got the green light to make Short Cuts (following a comeback fueled by the success of his previous film The Player) and he took full advantage of that opportunity by returning to his best terrain, the multi-character, multi-story ensemble drama that helped cement his reputation in the 1970s. While his take on the work of Raymond Carver might have upset the corduroy-jacket-with-patches-on-the-elbows creative writing instructors, those of us who love character-based, off-kilter filmmaking enjoyed the way that Altman brought a collection of oddball Angelinos to life with his cynical (yet humane) style.

The Carver stories serve as the spine, if not the heart, of Altman's winding narrative. An unfaithful cop, grieving parents, morally questionable fishermen, a phone-sex operator, a trailer-park couple, and a recent divorcee enjoying her newfound sexual freedom interact with each other and several other oddballs in a never-ending quest for meaning. Altman has been accused of cynical condescension on numerous occasions but I challenge you not to feel your heart break a little for Tom Waits as he asks his waitress wife Lily Tomlin for an egg sandwich "with a broke yolk".

Criterion serves up its by now par-for-the-course, high-end transfer in widescreen (2.35:1), allowing you to follow Altman's crowded staging in all its effective glory but the extras show them to continuing to push the envelope. A reprint of the movie tie-in book allows you to experience the Carver tales in their original, powerful form, and a documentary on Carver (from a PBS special) gives you a deeper appreciation of the other visionary involved in this project (albeit a ghostly one, since he had passed away by the time cameras started rolling on the film). The feature-length making-of doc is the usual talking head, butt-kissing thing you find on DVDs but it's made-up-for by a candid, enjoyable conversation between co-star Tim Robbins and director Altman in which the method behind his (oft-discussed) madness is examined. Altman fans are currently enjoying a big surge in DVD availability (California Split! Yeah, baby!) but Short Cuts is a must-have, as well as an effective introduction to anyone who has yet to be "Altmanized!" -- Christopher Hyatt

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