“Ultimately, the winners of the main competition represent just one part of the festival equation,” Eric Kohn has concluded on The Wrap. “The grandest Cannes event, as far as I’m concerned, arrived on Friday afternoon at the premiere of Gasper Noe’s Enter the Void.
“This two-and-a-half hour opus needs to be scaled down a bit, but there’s no doubt that the movie represents a highly unique viewing experience. Noe forces his audience to contemplate major themes about life after death with a tricky formalism that exists on a plane of its own. Is it the ‘best’ movie at Cannes? No, but it sure did help keep the energy flowing at the very end. For those lucky enough to have seen it, the appeal speaks for itself.”