The broadest response, I’m guessing, to the just-posted trailer for Matt Reeves‘ Let Me In (Overture, 10.1), a remake of Tomas Alfredson‘s Let The Right One In, is how visually similar the two films seem. Greig Fraser‘s cinematography has less in the way of hard fluorescent lighting than Hoyte Van Hoytema‘s lensing of the original, but otherwise they’re almost identical.
My first gut response was that I was glad to see Chloe Moretz holding down the little-girl vampire fort as I had a negative…okay, disinterested reaction to Lina Leandersson in this role when I first caught Alfredson’s original. And also that Kodi Smit-McPhee, the kid from The Road, is sending off some vibrant emotional signals in the role played in the original by Kare Hedebrant. Let’s hope that Smit-McPhee’s character is portrayed as slightly less wimpy.
It’s also interesting that the Let Me In trailer appeared about a day after as the first AICN research-screening review was posted by a guy named “NAMSNAD.” The writer seems half-and-half about it. One pop-out remark is that some of the edgy material in the Swedish version has been sanded down by Reeves (hardly a surprise — American remakes of European films always seem to soften or modify in some way). Another is that “it seems as if [Reeves] was just content with making an almost shot-for-shot re-make of the original that Twihards would go to.”