I was so taken with my first viewing of Hany Abu-Assad‘s Omar, a Palestinian-produced thriller about betrayal and double-agenting in the West Bank, that I caught it again last night at the Palm Springs Film Festival. It’s a taut, urgent, highly realistic thriller that squeezes its characters and viewers like a vise. Omar is among the Academy’s short-listed Best Foreign Language Feature contenders, and with my personal favorites, Asghar Farhadi‘s The Past and Yuval Adler‘s Bethlehem (which is quite similar to Abu-Assad’s film) out of the running, I guess I’m an Omar guy at this stage.


Omar costars Waleed_Zuaiter (l.) and Adam Bakri (r.) following last night’s screening at Palm Spring Int’l Film Festival