“It’s no surprise that watching actors naturally age on camera without latex and digital effects makes for mesmerizing viewing. And at first it may be hard to notice much more than the creases etching Ethan Hawke’s face, the sexy swells of Patricia Arquette’s belly and Ellar Coltrane’s growth spurts. You may see your own face in those faces, your children’s, too. This kind of identification is familiar, as is the idea that movies preserve time. Andre Bazin wrote that art emerged from our desire to counter the passage of time and the inevitable decay it brings. But in Boyhood, Mr. Linklater’s masterpiece, he both captures moments in time and relinquishes them as he moves from year to year. He isn’t fighting time but embracing it in all its glorious and agonizingly fleeting beauty.” — from Manohla Dargis‘s 7.10 N.Y. Times review.