Tonight author and film essayist Karina Longworth will sign copies of her coffee-table book, “Hollywood Frame by Frame: The Unseen Silver Screen in Contact Sheets, 1951-1997” at Santa Monica’s Aero prior to a 7:30 pm screening of Michelangelo Antonioni‘s Blow-Up (’66). I naturally assumed that a few choice Blow-Up stills are contained in her book, but Longworth informed me otherwise. She was just invited to show up and sign, and is not one to look a gift horse in the mouth. So I dug around yesterday and found a few pics online. I’ll be attending the Aero screening but I’m very, very afraid of how this exquisitely captured film will look on the Aero screen. If it’s a DCP, fine, but if they’re showing a 35mm print it’ll probably look dicey. I’ve almost gotten to the point where I hate 35mm these days. Either way I’ll be flabbergasted if the Aero version looks anywhere near as good as the immaculate HDX high-def version I own on Vudu.
David Hemmings in Blow-Up‘s key scene.
Michelangelo Antonioni, Vanessa Redgrave.
Hemmings, Redgrave, Antonioni.
To think that the worldly Rex Harrison once sported checked pants…good God!