Silence musical composer Robbie Robertson to Toronto Star‘s Peter Howell on Martin Scorsese‘s latest (from 11.24 post): “It’s really unusual. It’s so different from anything he’s ever done. It’s different from anything around. The whole mood of this movie is different. It’s different visually, the visual tone of it. Some of (Scorsese’s) movies are bang, bang, boom, boom…this one is called Silence, and it’s a meditation — a painful one but beautiful.”
HE question: Painful in what sense? For the Andrew Garfield and Adam Driver‘s Jesuit priest characters, of course, but an underlying shudder hit me when I read that.
Which reminds me: The National Board of Review allegedly saw Silence a few days ago. It will screen for the NY Film Critics Circle on Wednesday, 11.30 — four days hence. On Tuesday, 11.29, Scorsese’s film will be shown to 400 Jesuits in Rome. Guild and Academy screenings will begin next weekend, the very first happening on 12.3. So why hasn’t Paramount sent out invites to big-city blogaroos like myself? If they were planning to screen it for guys like me sometime next week (i.e., between Monday, 11.28 and Friday, 12.2), they’d have said so by now.