“The worst violent action sequences around, hands down, are always found in superhero-fantasy films because you can never believe in the physics — it’s always the same CG body-slam razmatazz in which the adversaries never get tired or confused or hurt. But when a shootout feels as chaotically real and crazy as it does in Patriots Day, it really makes you sit up in your seat and lean forward.
“Not that I’m immune to slick, well-choreographed gunplay (like that famous downtown L.A. bank robbery sequence in Michael Mann‘s Heat or that moment when Tom Cruise plugs a couple of street thieves in the space of 2.5 seconds in Collateral), but sloppy, chaotic action always feels best.
“The Watertown cops are scared and confused, especially due to the Tsarnaev’s tossing a series of grenade-like pipe bombs. Nobody knows who has the upper hand, and it’s all edge and anxiety and a lot of shouting and swearing. It’s all very random and sloppy and “what the fuck is going on…who are these guys?….yo, partner, are you okay?…somebody call for backup!” — from a 12.1.16 HE piece called “Classic Of Its Kind.”