The Tarantino drama, which starts shooting this summer, will use the 1969 Manson murders as a backdrop to a story about a pair of struggling actors, to be played by Leonardo DiCaprio and Brad Pitt. It’s presumed that Margot Robbie will play Sharon Tate. And Tate’s 65-year-old sister is pissed, she told Vulture, because Tarantino has “yet to reach out to me to talk to me about anything to do with my sister or her depiction in his film. Why? Because I believe it’s negative. If his depiction was positive, he’d have a dialogue with me.”
Wrong! Tarantino doesn’t do research. He doesn’t do realism or history. Everything he’s ever written and directed has been pulled straight out of his ass.
Posted last July: “As intriguing as this project sounds, Tarantino is incapable of playing it even semi-straight. He’s not a docu-dramatist — he’s a creator of alternate Quentinworld fantasies. His last three films have mined the past — Inglourious Basterds, Django Unchained and The Hateful Eight — and each time he’s reimagined and re-dialogued history in order to transform his tales into his own brand of ’70s exploitation cinema. Why should QT play his cards any differently with the Manson family?
“Variety‘s Owen Gleiberman said this morning that location-wise he wants Tarantino to deliver an exact duplicate of everything we know about the Manson geography (Spahn ranch, Haight-Ashbury, etc.) but ‘make it feel new.’
“’Alas, Tarantino is not a realist,’ I replied. ‘Never has been, never will be. His Paris neighborhood set in Inglorious Basterds looked exactly like that — a phony sound stage realm. And remember that he reimagined an anti-Semitic, Jew-hunting Nazi Colonel as a witty talk-show showoff who loved to giggle at his own jokes. Remember also that in the same film Tarantino gave a French country farmer the name of ‘Bob.’”
Tate again: “As evidence, Tate points to the film’s official log line: ‘Set in Los Angeles in the summer of 1969, the movie focuses on a former male TV actor who’s had one hit series and is looking for a way to get into the film business. His stunt double is looking for the same thing. The horrific murder of Sharon Tate and four of her friends by Charles Manson’s cult of followers serves as a backdrop to the main story.”
“Let’s remember that this movie, until very recently, has always been referenced as the ‘Manson Family Murder Film.’ Mr. Tarantino even demanded a release date based on the ‘anniversary’ of my sister’s devastating murder, Aug. 9, 2019. How is this not vulgar? Or sick? THIS IS NOT A CELEBRATION.”