I’ve mentioned from time to time how Tony Gilroy‘s Michael Clayton (’07) has, for me, gotten better and better over the years. And yet somehow I didn’t have the brain cells or cinematic perspective or innate insight to recognize Clayton‘s specialness when it opened 11 years ago. I didn’t realize it was (and is) one of the greatest, most on-target films about big-time lawyering and corporate corruption ever made. In this regard I would call Gilroy’s film even-steven with Michael Mann‘s The Insider.
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