As much as I admire Charlize Theron‘s Bombshell performance as Megyn Kelly (and particularly her physical transformation via Kazuhiro Tsuji‘s makeup-and-prosthetic finessing), I kind of like the Real McCoy better.
I watched Kelly on a Frontline “America’s Great Divide” thing on YouTube last night, and as much as I’m appalled by Kelly continuing to rationalize and otherwise cut The Beast a break (not to mention her hilarious contention that Yeshua of Nazareth was white) she’s more magnetic than the Theron version. Her mind is a ginsu blade; she’s fast and fleet. Theron’s Kelly is more emotional and conflicted — basically more actressy.
I realize that Bombshell is only playing in a few big-city theatres, but a fair percentage of HE readers must have seen it. I’ve called it “a smart and rousing David vs. Goliath crowd-pleaser for women (and guys!), and probably the craftiest and most persuasive testimonial for #MeToo that Hollywood has ever put on screen.” How strong of a Best Actress contender is Charlize? Don’t tell me she’s neck-and-neck with Lupita — not out here she isn’t. And what’s happened to the presumptive front-runner status for Judy‘s Renee Zellweger?