I Paid To See The 15:17 to Paris…Yo!

I “like” everything about the 2015 Thalys terrorist train attack incident, and that includes, in a limited way, Clint Eastwood‘s The 15:17 to Paris, which I paid to see last night at the Grove. To my surprise the theatre was 95% packed. I guess I wasn’t the only one who wanted to see Spencer Stone, … Read more

Eastwood’s “Mule” for December

It was announced today that Warner Bros. will release Clint Eastwood‘s The Mule, based on a true story about an old guy who volunteers his services as a drug mule, on 12.14.18. Eastwood has directed and produced the film, and plays the lead role to boot. It wasn’t long ago when the announcement of a … Read more

Two-Thirds Gone

A few days ago Esquire‘s Nick Schrager listed his best-of-the-year-so-far list. I agree with him here and there but some of his other choices…Jesus. The Rider doesn’t develop, doesn’t go anywhere. It’s a movie about waiting for death, about “the thing that you love you can’t do, and so you’re fucked.” Here’s HE’s latest best-of-the-year … Read more

After Five Months, Ten Serious Winners

2018 is one month away from being half done. In my book that’s close enough to compile a halftime edition of the Best Films of 2018, and so here they are — the six best of the year so far, and by this I mean the ballsiest, the least compromised, the most transcendent, vivid and … Read more

2018 Is 25% Over

With one-fourth of 2018 completed, it’s time to assess. What was the best film to open between January 1st and March 31st? Although nothing really rang my bell, I was mostly pleased with the last hour of Ryan Coogler‘s Black Panther. With everyone insisting that the hugely successful Disney release has to be ratified as … Read more

Witnesses

From a director/screenwriter friend: “I’ve seen The 15:17 To Paris. It’s basically the sort of made-for-cable movie that National Geographic airs with Keifer Sutherland doing the narration. Paul Greengrass probably could have found the meat alongside these potatoes. It’s hard to critique the non-actors playing themselves, as they’re bona fide heroes. United 93 used the … Read more

Blip on Eastwood Radar Screen

A friend who’s seen Clint Eastwood‘s The 15:17 to Paris (Warner Bros., 2.9) says it’s nothing to write home about. A brief episode inflated into an okay but no-great-shakes 94-minute film. Padding, back-story and whatnot. Starring the real-life Thalys train hero guys — Anthony Sadler, Alek Skarlatos and Spencer Stone, and costarring Judy Greer and … Read more

Now That 2018 Is Up & Rolling

Please re-review HE’s rundown of 70 films that are likely to be in the smarthouse conversation over the next 11 months. Hard information solidifies, assumptions and speculations fade, etc. What films am I giving too little or too much emphasis to? And which seem most likely to end up in contention as Best Picture nominees? … Read more

Over In A Flash

Clint Eastwood‘s The 15:17 to Paris (Warner Bros, 2.9.18) is obviously a patriotic tribute piece about the three American guys (Spencer Stone, Anthony Sadler, Alek Skarlatos) who foiled an Islamic terrorist attack aboard a Brussels-to-Paris train on 8.21.15. The new trailer tells us the film will mostly be about back-story — childhood, friendship, military service … Read more

2018 Tally Is Up To 69

In an 11.27 post called “2018 Hotties Prioritized,” I listed 40 noteworthy 2018 films that will probably generate excitement and perhaps even award-season followings — The Irishman, Roma, Back Seat, First Man, Bohemian Rhapsody, The Wife, Radegund, Widows, If Beale Street Could Talk, Mary Queen of Scots, On The Basis of Sex, Suspiria, Wendy, Sunset, … Read more

2018 Hotties Prioritized

After last Saturday’s “2018 Hotties” post, I added several titles and then tried to reorganize the whole thing. Right now I’ve got 20 strong-sounding features, a good percentage of which could end up as awards-bait fall releases (The Irishman, Roma, Back Seat, First Man, Bohemian Rhapsody, The Wife). Plus 7 upmarket genre films plus 13 … Read more

Time To Forecast ’18 Hotties

Adam McKay‘s Dick Cheney biopic with Christian Bale, Amy Adams, Steve Carell and Sam Rockwell. Damien Chazelle‘s First Man, a space drama about NASA’s Duke of Dullness, Neil Armstrong. Luca Guadagnino‘s Suspiria. Saoirse Ronan in Mary, Queen of Scots. Richard Linklater‘s Where’d You Go, Bernadette? Glenn Close‘s Best Actress campaign for The Wife. Joel Edgerton‘s … Read more