I have this vague impression that wokesters with the major domestic film festivals have been
less than fully receptive cool to the established-older-white-guy contingent in terms of festival passes. (Excepting the trade critics, of course.) They — Sundance for one, Toronto for another — seem to be preferring to accredit women critics, younger regional critics, critics of color, LGBTQ critics.
I was famously stiffed by Sundance in ’19, of course, largely thanks to the delightful Scott Weinberg but also the spirit of Maximilien Robespierre. I also didn’t attend Toronto that year.
This year, needless to point out, has been a wash due to Covid. Virtual viewings + drive-in screenings just ain’t the same.
I’m nonetheless surprised to discover that a few younger critics have recently gotten the TIFF brush-off — Jordan Ruimy (World of Reel), Nathaniel Rogers (The Film Experience), @NextBestPicture’s Matt Neglia and Blackfilm‘s Wilson Morales. Bizarre but true. A tweet indicates that even Monica Castillo and Beatrice Loayza were briefly denied a TIFF pass, although these decisions were later reversed.
I’m also hearing that several members of the Toronto Film Critics Association have been denied accreditation.
One dismayed suitor explains that “a lot of people got rejected…their reasoning being that they need to limit the amount of people they accept due to the virtual component of the fest this year, which doesn’t make any sense.”
Morales: “Two publicists went to bat for me and still no luck…not sure what they were looking for, given the years of experience and how much I have covered TIFF in the past.”
Has anyone else of note been stiffed by TIFF?
At least I still have Cannes, Telluride, Santa Barbara and Middleburg in my quiver!