Seven Months of Festival Glory

I’m presuming that sooner or later it will sink in amongst ubers and early adopters that Doug Tirola‘s Drunk Stoned Brilliant Dead — The Story of the National Lampoon (Magnolia, 9.25) is one of the punchiest, funniest docs of the year and an absolute must-see if you have any interest in the traditions of anarchic … Read more

Took Long Enough

Nearly six months after a euphoric Sundance debut, Douglas Tirola’s Drunk Stoned Brilliant Dead: The Story Of The National Lampoon has been acquired by Magnolia Pictures, presumably for release this year. The doc was hands down one of the best assembled, most entertaining, totally wowser films I saw at Sundance last January. And it’s about … Read more

HE Half-Time Oscar Noms

Instead of listing the best films of 2015 so far, which is what everyone is doing, I’m breaking it down as half-time Oscar nominations. The Best Picture category is a full boat (ten noms) but the other categories are threadbare, catch-as-catch-can. If I consider commercial releases only, the first six months have been somewhat thin. … Read more

Nearly One-Third Gone

We’re now three and a half months into ’15, and a glance at the calendar tells me that except for Alex Garland‘s Ex Machina (which I’ve seen and admired but have yet to review), there are no films of any real consequence opening between now and May 1st. So let’s call this a four-month assessment … Read more

Sundance Hot 25

Hollywood Elsewhere departs for the 2015 Sundance Film Festival (1.22 thru 2.1) this coming Wednesday, or a day early. I like to get all set up and settled in before it begins. Here, in any event, is a boilerplate rundown of the films everyone else is talking about. I’ve just average, common too — I’m … Read more

Return of Wife and Sister

It’s been 12 years since I last saw Kieran Darcy-Smith‘s Wish You Were Here. It’s technically not half bad…decently composed, well-edited, real-ish, moderately affecting, believably acted. Alas, I didn’t much like it because of a single maddening performance by Felicity Price, the director’s wife who has the lead female role It’s odd how a film … Read more

Wife and Sister (Retrieved from 2012)

Kieran Darcy-Smith‘s Wish You Were Here (Hopscotch, 4.28.12) is about the fallout from a tragic Cambodian vacation that married, expecting parents Dave and Alice (Joel Edgerton, Felicity Price) have recently shared with Alice’s younger sister (Teresa Palmer) and her new boyfriend, Jeremy (Antony Star). Jeremy vanished at the end of the getaway and nobody seems … Read more

What’s With “2001” 4K Bluray Darkness?

I’ve arranged to see WHE’s forthcoming 2001: A Space Odyssey 4K UHD Bluray (streeting on 11.20) at a friend’s place (possibly as soon as this weekend), but some screen captures & comparisons posted by DVD Beaver‘s Gary W. Tooze are alarming. Because what I’m seeing are images that are significantly darker than the 2001 images … Read more

Kenney’s Memory Sullied

This morning I saw…no, endured David Wain‘s A Futile and Stupid Gesture (Netflix, 1.26). Based on the same-titled 2006 biography by Josh Karp, it’s a half-surreal, half-inept and wholly depressing saga of National Lampoon co-founder, Animal House producer-screenwriter and self-destructive genius Doug Kenney. I don’t want to overstate my reaction, but ten minutes in I … Read more

When Videotape Was Murky and Muddy

This 42 year-old Mike Douglas Show clip is worn and tattered, but it’s the shit. Really. Because it allows you to meditate upon the great Muhammad Ali and his refusal to embrace liberal inclusiveness as it was known in 1974, and his obstinate, unyielding insistence that the only thing he cared about was the living … Read more

Alternating Currents of Ecstasy & Sadness

In exactly seven days (3.20.16) I’ll be celebrating four years of sobriety. Not a big deal in AA circles or in the eyes of the usually disapproving Glenn Kenny, I realize, but it sure feels good on this end. I thought about this last night, and it ushered in, ironically, memories of how happy I … Read more

Calling All Schmucks

Directed by Harold Ramis, National Lampoon’s Vacation (’83) was a soft, silly comedy of humiliation aimed at the squares. The only thing I really liked about it was the “Holiday Road” theme song. I know that John Hughes‘ screenplay diluted the fuck out of his original National Lampoon short story “Vacation ’58,” which was much, … Read more