8.26 update: I tapped out a similar list in April 2016, but here’s a refresh anyway. If you start with 1.1.00, the 21st Century is now 18 and 1/2 years old. By my count there are 117 films from this period that made a significant dent in the zeitgeist. If you haven’t seen the vast … Read more
In a just-released Awards Daily poll, over 100 newspaper, magazine, and online film critics and movie writers have named Jordan Peele‘s Get Out as their favorite film of 2017. What a lazy, submissive, grass-munching herd. The lead of Jordan Ruimy’s article about the findings reads, “There was a time when film critics used to be … Read more
Sasha Stone‘s Awards Daily is conducting a Best of 2017 poll. Critics, columnists, industry people, etc. I was asked to submit my top five or ten within a fenced-off area — i.e., a cutoff release date of July 1st, and no festival favorites that haven’t been released yet. The results will be posted sometime on … Read more
Either you’re intrigued and excited by the idea of a spooky but essentially non-scary ghost movie, or you’re not. Or you’re able to embrace the idea of a silent and passive ghost under a bedsheet, or not. 90% if not 95% of ticket-buyers prefer the dead-obvious kind of ghost flick (i.e. anything in the vein … Read more
Apologies to David Lowery and A24 for forgetting to include A Ghost Story in my recent rundown of the best 2017 flicks thus far. It belongs and then some. I’m putting A Ghost Story just below The Square but above Get Out, which was in sixth place until a few minutes ago but is now … Read more
N.Y Times critics A.O. Scott and Manohla Dargis have posted their picks for the Best 25 films of the 21st Century. There are no right or wrong picks in this regard, of course, but Inside Out being called the seventh best film of the century thus far feels…I’m not sure how to put this. A … Read more
Will the 2017 L.A. Film Festival follow the mindset of the ’16 and ’15 fests, which was basically to screen lower-profile, hand-to-mouth indie titles that no one had heard of or wanted to see? Or will they program at least a few not-yet-released films screened at Sundance, Tribeca or Cannes? Posted on 5.30.16: “The L.A. … Read more
From “Odd, Minimalist, Engagingly Trippy Ghost Story“, posted on 1.25.17: “David Lowery‘s A Ghost Story (A24, 7.7) lives on the opposite side of the canyon from Olivier Assayas and Kristen Stewart‘s Personal Shopper. It has to be said upfront that Lowery’s film isn’t all that scary. Okay, two or three moments put the chill in … Read more
I saw Cristian Mungiu‘s Graduation (Sundance Selects, 4.8) in Cannes about ten months ago. The great Mungiu, who shared the Best Director prize last May with Personal Shopper‘s Olivier Assayas, won’t be doing face-time interviews in Los Angeles. (Maybe phoners, I’m told.) My memory’s gone a little stale so I’m catching it again tonight at … Read more
Now that you’ve presumably seen Kong: Skull Island as well as Personal Shopper, do you understand what I was talking about a few days ago, which is that (a) Skull is a sloppy, scattershot joke (not one of those ten helicopters realized the danger and steered away from Kong’s reach during that chaotic swat-down sequence?) … Read more
Olivier Assayas‘ Personal Shopper finally opens theatrically this Friday, almost ten months after jolting and dividing the Cannes Film Festival last May. It’s being shown tonight at LACMA with Assayas and Kristen Stewart sitting for a post-screening q & a. The excitement that I felt just after the Salle Debussy screening — a sensation I’ll never … Read more
The 2017 Sundance and Santa Barbara film festivals are history, the Spirits and the Oscars are less than two weeks away and all but concluded in the minds of most, and I for one am ready to jump into the 2017 batting cage and start swinging. But not until the next three weekends are past … Read more