Nothing to do with movie culture whatsoever but a great L.A. hiking-trail website for locals and anyone visiting…excellent. (Yeah, I’m a hiker…but not enough.)
Lauren Bacall, great actress and screen legend who unfortunately lost her concentration and stumbled while reading copy on the teleprompter last Sunday night…tough moment for a great lady.
“The market forces that exist today make it unrealistic to spend $200 million on a movie,” George Lucas has told N.Y. Daily News columnist Lloyd Grove. “Those movies can’t make their money back anymore. Look at what happened with King Kong. I think it’s great that the major Oscar nominations have gone to independent films…small movies. Is that good for the business? No — it’s bad for the business. But moviemaking isn’t about business. It’s about art! In the future, almost everything that gets shown in theaters will be indie movies. I predict that by 2025 the average movie will cost only $15 million.” Good, straight-talking stuff from a guy who is widely seen, with some justification, as being one of the two big-time Hollywood filmmakers (along with Steven Spielberg) who did more to bring down the curtain on the golden filmmaking era of ’70s and banalicize and flatten down movie culture with the spread of CG-FX kid-friendly epics…a guy with hundreds of millions in the bank from all this, and now he’s gotten religion and is preaching the indie gospel (in the form of hard-nosed industry analysis) like a reformed whore.

“Sometimes I go about in pity for myself, and all the while a great wind carries me across the sky” — Ojibwe saying written on a small piece of paper, posted on a tile wall and captured three times by the cameras in episode #4 of the new Sopranos season, debuting 3.12 on HBO.

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...