For the first time I have an idea of what Ridley Scott‘s The Counselor (20th Century Fox, 10.25) will actually sound and feel like, dialogue- and behavior-wise. The previous trailers have been all moody whirlysmash cut-cut-cut impressionism. Brad Pitt‘s line about how drug dealers “don’t believe in coincidence” was, of course, first spoken by John Vernon in Don Siegel‘s Charley Varrick. What is this, the sixth or seventh trailer we’ve seen for this film?
The American rural right showed its racist colors when Barack Obama began running for president in ’07. Then came the Tea Party, a rural-southern-white movement that was more of a response to the Obama metaphor (multi-culturalism is the new reality, whiteys don’t exclusively run the show any more) than Obama himself. Obama has been in office five years now. Is there anyone who thinks that it’s a “whoa” to talk about the racist under-agenda in this country? Yes — The Butler director Lee Daniels. When CNN’s Piers Morgan asks if he thinks America is a more or less racist country since Obama’s election, Daniels says, “Wow…that’s a powerful question!”
A little while ago Awards Daily‘s Sasha Stone mentioned a form of pushback that I’m calling the Perv Retort. If you’re a straight male columnist and you’ve gotten really riled up by the performance of a young and beautiful actress (like Blue Is The Warmest Color‘s Adele Exarchopoulos), it’ll be presumed by the community at large that you’re expressing a form of libidinal arousal and are therefore off-balance to some extent. Therefore your opinion has to be at least partly discounted because you’re probably using one hand to write and the other hand to do something else.
Same thing if you’re a gay male columnist and you’re really taken with a performance by a young male actor or a really good-looking actor in his 30s or 40s, even. It will be widely presumed that your perceptions have been colored by your day-dreaming about this actor in a certain context, and therefore your opinion about his performance being award-worthy goes right into the trash can.

Legendary crime novelist Elmore Leonard, who wrote thousands upon thousands of the most beautifully shaped sentences and digressive dialogue riffs I’ve ever read in my life and who incidentally influenced the living shit out of me, has ascended and is now hanging out with Dennis Farina. A stroke took him down. He was 87. A Detroit guy through and through. Well, a Bloomfield Hills guy. **

Leonard wrote and wrote and wrote for…what, sixty-five years straight? He never stopped working and enjoyed a brilliant hot streak during the ’80s and ’90s. And he boiled the bullshit out of his prose each and every time he put pen to paper. And he was nice enough to talk with me on the phone a few times during my reporting days with Entertainment Weekly and People and the L.A. Times Syndicate. He didn’t even hiccup when I called him “Dutch” a couple of times.

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...