Day: December 27, 2014

When North Korea’s internet went dark last Monday it was widely assumed and almost-but-not-quite confirmed that Obama administration cyber-seals were behind it. Very cool. And now it’s down again, according to China’s Xinhua news agency, only this time North Korea’s 3G mobile networks are also toast. Bitches talkin’ shit? Gettin’ slapped for it.

Saturday’s blackout was presumably a response to a statement from Pyongyang’s Policy Department of the National Defense Commission, issued yesterday, that said (a) the release of The Interview would “[hurt] the dignity of the supreme leadership” of North Korea while “agitating terrorism,” and that (b) President Obama, “reckless in words and deeds like a monkey in a tropical forest,” was the “chief culprit” behind Sony’s release of the Seth Rogen-Evan Goldberg film along with “wicked conservative forces.”

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I’m told I shouldn’t read too much into Deadline‘s Pete Hammond having posted last night that many Academy members still haven’t seen Boyhood, which has been called a presumptive Best Picture favorite for months. Hammond wrote the piece for a print version of Awardsline that was due in early December, and the Boyhood DVD had only been mailed a couple of weeks before it was written.

But you have to wonder why people were still dragging their feet a week after Thanksgiving with Boyhood having opened last July and many screenings having occurred over the previous couple of months. The reason seems obvious to me but let’s call it a guess.

Boyhood is the Julianne Moore of Best Picture contenders in that the blogoscenti decided long ago that it fully deserves and therefore needs to be a major contender and that it should/could even win, and since this perfect storm of opinion occurred the Academy and guild members have had it on their “to do” lists but…with…some…degree…of…procrastination. Just like their attitude about Still Alice, which nobody in the world feels even vaguely excited about and yet people are nonetheless sluggishly resigned to Moore being the big Best Actress lockdown.

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It’s a tragedy that more of these pics aren’t in color — those marquees really popped at night — but the ’50s reality was that color photography was cost prohibitive.

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In a 12.25 post called “Take…No, Respect The Pain” I asked for reactions to Angelina Jolie‘s Unbroken, but more importantly I asked how “the room” felt. “How did it seem to play with Joe and Jane?,” I wrote. “Seriously…I’m asking. Maybe on some level it’s connecting. What do I know?” Well, Unbroken is connecting. $15,592,000 earned on Christmas Day, and close to $50 million expected by Sunday night.

Except half the critics said “nope” and the film itself isn’t, to be bend-over-backwards fair, traditionally comforting or nourishing. It’s a well-made, handsomely captured slog about a guy enduring all manner of pain, trial, deprivation and torture. So something is happening here, Mr. Jones, but what? I think it’s the fans of Laura Hillebrand’s 2010 book plus fans who are looking to kiss the proverbial Jolie glamour ring plus the same people who ten years ago wrapped themselves in the blessed spiritual agonies of The Passion of the Christ.

And yet when I asked if anyone felt tremors in the ground only two readers, “Sams” and “Actionman,” answered in the affirmative. Everyone else navel-gazed. The HE community failed. I’d like explanations, please.

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