Schickel Slips Beneath The Waves

Longtime film critic, documentarian and cinematic scholar Richard Schickel died today at age 84. A series of strokes got him — solemn condolences to friends, colleagues and fans.

Schickel was one of the heavyweight lions of film criticism amid the second half of the 20th Century, rougly at par in terms of eloquence, insight and importance with Andrew Sarris, Pauline Kael, Richard Corliss, Joe Morgenstern, Molly Haskell, Stanley Kauffman, Judith Crist, et. al. He was one of the lordly big boys, a prodigious professional, and certainly a fellow I’ve looked up to with considerable respect (if not affection) for my entire professional life.

Schickel’s principal berth was as Time‘s film critic from 1965 to 2010 — oh, what a time that was for movie scholars, fanatics and devotees, especially from the late ’60s to the downturn period of the ’80s/’90s/you tell me. Schickel’s gradual deflation began when the online thing began to eat into the rule of snooty, harumphy, Moses-speaking-to-the-Hebrews movie critics starting around 15 years ago.

Schickel also wrote for Life (’65 to ’72) and the Los Angeles Times Book Review. His last regular reviewing gig was for Truthdig. He wrote something close to 35 books about film industry trends and movie stars (James Cagney, Clint Eastwood, Cary Grant, Elia Kazan, Walt Disney, Myrna Loy, Barbara Stanwyck, Charlie Chaplin) and directed, wrote or significantly contributed to over 20 documentaries about this realm.

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An Invaluable Arm of the Presidency

“It’s a terrific disadvantage not having the abrasive arm of the press applied to you daily…as a check to what is going on in [any] administration…it’s never pleasant to be reading less than agreeable news…even though we may never like it, even though we may wish they’d never write it.”

HE Redesign’s A’Comin

At Jett’s urging, Hollywood Elsewhere is forking over serious coin (or at least what feels like a major expenditure from my end) for a big fat re-design. The font and the basic Hollywood sign logo will stay the same but beyond that…who knows? I’m ready for the next chapter, but I’d like to see something cooler than just ACRES OF WHITE SPACE! and REALLY BIG BLACK TYPE! No, I’m not getting my knickers in a twist sight unseen. I’ll just have to wait and see.

The changeover should be in place by sometime in mid to late March, certainly by early April.

This is Jett’s action. He insists (and I have no argument) that the site has to load faster and offer more features and be more reflective of the 2017 sensibility, and that we’re doing ourselves no favors by reflecting a late ’90s/early aughts design mindset. Get with the program! The bottom line is that Jett is the boss. I’m just the guy who catches screenings, goes to festivals, churns out the copy and gets into occasional Twitter fights with SJWs.