Last March a research-screening guy expressed measured enthusiasm for Joseph Kosinski‘s Granite Mountain, which at the time was a Lionsgate film slated for a 9.22 release. Now it’s a Columbia film called Only The Brave, and slated to open on 10.20. Josh Brolin, Miles Teller, Jeff Bridges, James Badge Dale, Taylor Kitsch, Jennifer Connelly, et. al. Don’t jump to conclusions. Kosinski is a strong, above-average director.
From my 5.25.17 Cannes Film festival review: “Brigsby Bear espouses a belief in clinging to adolescent dreams and oddball weirdnesses as a way of keeping reality at bay. It doesn’t advance the idea that integrating into ‘normal’ society is a particularly good thing. It insists, in fact, that feeding and sustaining obsessional realms can actually be a recipe for emotional health, and that normal realms are healthier, happier places for understanding and celebrating outsider sensibilities. Or something like that.
“Brigsby Bear isn’t about going for breakneck hilarity or building up a head of steam, but it does understand itself, and it sticks to that. It has a certain patch of ground that it proudly owns, and you either get that or you don’t. Again — I’m the farthest thing from a geek type or any kind of pre-indoctrinated member of the Brigsby Bear society, but I got this film. I went in with a guarded attitude, but I had a smile going by evening’s end.”
Sony Pictures Classics is opening Brigsby Bear on 7.28.
If I took the time to dredge my memory and think it through, I could come up with 20 or 30 movies that I found riveting and pulse-quickening when I first saw them in my teens and 20s, but felt like pale, under-energized remnants when I re-watched them as a wise but creased adult. But I haven’t the time right now. (I have to leave at 10:30 am for an 11 am screening.) The best I can come up with are two letdowns I’ve already written about — Steven Spielberg‘s Close Encounters of the Third Kind and John Sturges‘ The Great Escape. Surely there are scores that qualify in the thorny minds of HE readers.



“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...