I need to upgrade my summer wardrobe…yeah, Club Monaco has the right idea…shorts, sneakers, baseball cap and a generic dork shirt. Why didn’t I think of this combo myself?
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Just a couple of gals with a laid-back, take-what-comes existential attitude, rough and ready with a full tank but in no particular hurry…life is a journey, anadventure, and cruising along in leather-upholstered seats with a rumbling, well-tuned engine under the hood makes all the difference.
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Ernest Borgnine passed almost exactly ten years ago. He did a lot of interviews and told a lot of stories later in life, and one that I never forgot involved a verbal confrontation with a group of Italian guys in some quiet New York City neighborhood. (Or possibly in Boston or Rhode Island or Newark, New Jersey...some northeastern city with a significant Italian population.)
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This is a weird detour but when I think of passengers falling out of airplanes, I think of three scenes: (a) Eddie Albert's Cadet Hughes falling out of a B-17 at 10,000 feet in Bombardier ('43), (b) Gert Frobe's portly Auric Goldfinger getting sucked out of a small window in a private airborne jet in Goldfinger ('64) and (c) Ed Nelson's Major Alexander, a 747 co-pilot, getting sucked through a smashed cockpit window in Airport 75.
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Yesterday afternoon Variety‘s Elizabeth Wagmeister and Sasha Urbanreported that TMZ’s 7.9.22 report about Armie Hammer is true — he is indeed working at a certain hotel resort in the Cayman Islands (i.e., Morritts Resort), and reportedly focusing on selling timeshares.
Excerpt: “A source tells Variety that Hammer is indeed working selling timeshares at a hotel in the Caymans, and that all other reports suggesting otherwise are inaccurate. ‘He is working at the resort and selling timeshares. He is working at a cubicle,” [the source] explains. “The reality is he’s totally broke, and is trying to fill the days and earn money to support his family.”
Armie’s salesman hair is too short. He looks better with longer, wavier hair and the bushy beard.
Update: Vanity Fair‘s Julie Miller has reported that at the height of Hammer’s career meltdown, which apparently had something to do with a substance issue, Robert Downey, Jr. stepped in a like a big brother and paid for Hammer’s nearly six-month rehab stay.
A friend was a tad skeptical about the trailer for Maria Schrader‘s She Said (Universal, 11.18), which popped this morning. Actually two friends were, but this film is going to sail through.
“No, no…this is good,” I replied. “I can feel it. It has discipline, tension…first-rate acting from Carey Mulligan, Zoe Kazan and, as Weinstein employee Zelda Perkins, Samantha Morton. A well-honed screenplay by Rebecca Lenkiewicz. Nicholas Britell‘s music is a little overbearing** but this is Spotlight again.”
This is a Best Picture contender — no question, no doubt. If Spotlight can get there, this can too.
The victims weren’t children being molested by priests and some who were invited to Harvey’s first-class hotel rooms had to be at least wary of what might happen, but this is one of those social justice, social portraiture flicks that can’t miss, at least as far as a Best Picture nomination is concerned.
“Apparently Harvey isn’t played by anyone. Well, he is, but not as a speaking character with a puss. There’s a clip of a big fat guy we see from the rear, but we don’t see his face. We hear Harvey’s voice on a speakerphone during a conference call, but his voice isn’t deep or punchy enough.”
A guy who’s allegedly caught a research screening:
“Better than a TV movie. Not sure about Best Picture, but Samantha Morton and Carey Mulligan are the MVPs. Very intelligently made and well-directed. They smartly show the effect of the abuse. Victims go back to the hotel rooms, reenact what happened in the bed and shower, but with their clothes on. It’s very Spotlight, maybe too much so. It also has a fantastic ending. We never get to see Weinstein’s face, only see his back and hear his voice.”
Pic is produced by Plan B’s Brad Pitt, Dede Gardner and Jeremy Kleiner.
Lenkiewicz’s screenplay is based on Jodi Kantor and Megan Twohey’s “She Said.”