I need to upgrade my summer wardrobe…yeah, Club Monaco has the right idea…shorts, sneakers, baseball cap and a generic dork shirt. Why didn’t I think of this combo myself?
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Just a couple of gals with a laid-back, take-what-comes existential attitude, rough and ready with a full tank but in no particular hurry…life is a journey, an adventure, and cruising along in leather-upholstered seats with a rumbling, well-tuned engine under the hood makes all the difference.
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Only seven weeks left of summer because that’s when Telluride ‘22 kicks off. The official poster popped today:


Ernest Borgnine passed almost exactly ten years ago. He did a lot of interviews and told a lot of stories later in life, and one that I never forgot involved a verbal confrontation with a group of Italian guys in some quiet New York City neighborhood. (Or possibly in Boston or Rhode Island or Newark, New Jersey...some northeastern city with a significant Italian population.)
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This is a weird detour but when I think of passengers falling out of airplanes, I think of three scenes: (a) Eddie Albert's Cadet Hughes falling out of a B-17 at 10,000 feet in Bombardier ('43), (b) Gert Frobe's portly Auric Goldfinger getting sucked out of a small window in a private airborne jet in Goldfinger ('64) and (c) Ed Nelson's Major Alexander, a 747 co-pilot, getting sucked through a smashed cockpit window in Airport 75.
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Yesterday afternoon Variety‘s Elizabeth Wagmeister and Sasha Urban reported that TMZ’s 7.9.22 report about Armie Hammer is true — he is indeed working at a certain hotel resort in the Cayman Islands (i.e., Morritts Resort), and reportedly focusing on selling timeshares.
Excerpt: “A source tells Variety that Hammer is indeed working selling timeshares at a hotel in the Caymans, and that all other reports suggesting otherwise are inaccurate. ‘He is working at the resort and selling timeshares. He is working at a cubicle,” [the source] explains. “The reality is he’s totally broke, and is trying to fill the days and earn money to support his family.”
Armie’s salesman hair is too short. He looks better with longer, wavier hair and the bushy beard.
Update: Vanity Fair‘s Julie Miller has reported that at the height of Hammer’s career meltdown, which apparently had something to do with a substance issue, Robert Downey, Jr. stepped in a like a big brother and paid for Hammer’s nearly six-month rehab stay.

A friend was a tad skeptical about the trailer for Maria Schrader‘s She Said (Universal, 11.18), which popped this morning. Actually two friends were, but this film is going to sail through.
“No, no…this is good,” I replied. “I can feel it. It has discipline, tension…first-rate acting from Carey Mulligan, Zoe Kazan and, as Weinstein employee Zelda Perkins, Samantha Morton. A well-honed screenplay by Rebecca Lenkiewicz. Nicholas Britell‘s music is a little overbearing** but this is Spotlight again.”
This is a Best Picture contender — no question, no doubt. If Spotlight can get there, this can too.
The victims weren’t children being molested by priests and some who were invited to Harvey’s first-class hotel rooms had to be at least wary of what might happen, but this is one of those social justice, social portraiture flicks that can’t miss, at least as far as a Best Picture nomination is concerned.
“Apparently Harvey isn’t played by anyone. Well, he is, but not as a speaking character with a puss. There’s a clip of a big fat guy we see from the rear, but we don’t see his face. We hear Harvey’s voice on a speakerphone during a conference call, but his voice isn’t deep or punchy enough.”
A guy who’s allegedly caught a research screening:
“Better than a TV movie. Not sure about Best Picture, but Samantha Morton and Carey Mulligan are the MVPs. Very intelligently made and well-directed. They smartly show the effect of the abuse. Victims go back to the hotel rooms, reenact what happened in the bed and shower, but with their clothes on. It’s very Spotlight, maybe too much so. It also has a fantastic ending. We never get to see Weinstein’s face, only see his back and hear his voice.”
Pic is produced by Plan B’s Brad Pitt, Dede Gardner and Jeremy Kleiner.
Lenkiewicz’s screenplay is based on Jodi Kantor and Megan Twohey’s “She Said.”

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...