[Initially posted on 4.21.21]: My vocabulary isn’t sophisticated enough to describe the alternating tempos, sudden slowdowns and shifting rhythms in “Stop” (’66), a standout single from the Moody Blues and cowritten by Denny Laine and Justin Hayward. (Or was it Laine and Mike Pinder?)
The song reportedly reached #98 in the Billboard charts during April 1966 after getting lots of airplay on NYC AM rock radio (WABC, WNEW), and then it kind of slipped away.
Relatively unknown to even hardcore MB fans — i.e., the ones who only know them from the ’67 to early ’70s period of Days of Future Passed (“Nights in White Satin”, “Tuesday Afternoon”), In Search of the Lost Chord and On the Threshold of a Dream.
I know that a lot of breakthroughs happened in ’66, and this, in its own small way, was one of them.
Selena Gomez is a multiple Emmy nominee for her conributions to Only Murders in the Building. If she wins something, great, but OMITB is a chore to watch and about as insubstantial and surface-skimmy as it gets,
Emilia Perez has two headliners — Best Actress contender Zoe Saldana and Best Supporting Actress humdinger Karla Sofia Gascon. Gomez plays Jessi del Monte, the clueless trophy wife of cartel monster Juan “Manitas” Del Monte (Gscopn) who HAS somehow never noticed that her husband was undergoing pre-surgical hormone therapy for a long period. Her character is inconsequential, doesn’t add up, etc.
…that floods your system when you realize that certain canine bruthahs from Ohio may (I say “may“) have been killed, carved up, barbequed and eaten by Haitian immigrants.
Deadline‘s Mike Fleming is reporting that Judd Apatow has inked to direct Cola Wars. Steven Spielberg is onboard as a producer.
It’ll be a presumably straightforward, dryly humorous account of the intense rivalry between Coca-Cola and Pepsi during the mid 20th Century but mainly, I’m gathering from Fleming’s article, during the mid ’80s. The script is being written by Jason Shuman and Ben Queen.
I’m sorry but what’s where’s the fun or fascination in this saga? I’m not intrigued by the idea of watching soft-drink marketing guys try to out-hustle each other.
According to a 1.18.13 N.Y. Times op-ed piece, Coke’s recipe was heavily influenced by white supremacy and it was marketed mainly to the white middle class. Throughout the 1920’s and 1930’s, the company “studiously” and purposely ignored the African-American market.
What was the first major commercial film to dig into the Coke-vs.Pepsi thing? Obviously Billy Wilder‘s One Two Three (’61). It contains two scenes that riff on the rivalry.
The second most noteworthy acknowledgment of Pepsi branding was that Pulp Fiction scene when drug dealer Eric Stoltz says that when it comes to the quality of Cholo, the Harz mountain heroin that he’s trying to sell to John Travolta, he’ll “take the Pepsi challenge” alongside any other heroin on the market.
Kamala Harris won the election last night. There’s no way that “undecided” voters (i.e., those who are generally too lazy to pay attention on a day-to-day basis) had a neutral or shoulder-shrugging reaction to the obvious dichotomy — an obviously well-rehearsed Harris sounding steady, sensible, strategic and attuned, delivering good jabs and taunts while Trump sounded triggered, defensive, impulsive and undisciplined in his constant spewing of untruths. Trump-Harris may or may not have another debate, but my clear impression is that a Harris victory is all but locked in.
HE verdict (11 pm): Kamala Harris put Donald Trump in his place tonight. She passed the test, more than held her own — she came out ahead. She’s going to win in November — no question.
VanJones: “She whupped him…she baited him and then she spanked him.”
Harris: “I intend to be a president for all the people. The future, not the past.” Trump: “We’re laughed at all over the world. What these people have done is destroying our country.”
10:25pm: “Lets move forward…I have a plan…instead of constant demeaning and name-calling” or something close to that. “We’re not taking anyone’s guns away so stop lying.” Also: “Health care is a right, not a privilege. Remember what it was like before the Affordable Care Act?”
Harris to Trump #1: “You’re not running against President Biden — you’re running against me.” Harris to Trump #2: “You adore strong men instead of caring about democracy. Putin would eat you for lunch.“
9:58pm: Harris says many foreign leaders have called Trump a “disgrace.” Trump says Harris “hates the Jews…hates the Arabs.” Anything that comes to mind, however dubious or fraught with imagination, Trump says it. Harris is definitely keeping it more real.
9:52pm: Trump sounds unstable, relentless, obsessive…he can’t stop himself. Harris: “We cannot afford to have a President who tries to up-end the will of 81 million people…that’s deeply troubling.” Trump quotes ViktorOrban — “We need Trump back in office.”
9:48pm: Harris recounts her Jan. 6th exoerience, the Charlottesville hate demonstration…”Let’s not go back to this.”
9:38pm: Trump: “I probably took a bullet to the head because of the things they’ve said about me.” Harris, clearly the more sensible and practical-minded of the two, is conveying a subdued reaction of puzzlement at Trump’s torrent of blathering lies.
9:28pm: More with the “millions and millions of immigrants…eating the dogs, eating the cats…millions of criminals…migrant crime.” Obviously appealing to racists.
9:15pm: Trump: “She’s a Marxist…her father is a Marxist.” Harris narrows her eyes, shakes her head, rests her chin on her right hand…aghast. Trump is going on and on…a hailstorm of horseshit.
9:07 pm: Trump bloviating about illegal immigrant hordes surging in and destroying the country, etc. Harris smirking, shaking her head, stating that Trump’s economic intensions “will explode the deficit,” explains her plan for investing in the middle-class…”an opportunity economy.”
8:37pm: We live among morons…among millions of rural, red-state yokels who are actually intending to vote for a proven liar and sociopath who has no apparent investment in the democratic process…a power-hungry beast who is basically Viktor Orban, Kim Jong Un, Vladmir Putin…a swaggering pig in a Brioni suit and a red tie.
Sasha Stone has posted what seems to me like a reasonably perceptive montage of ten likely Best Picture Oscar contenders. I don’t agree that the respectable, earnestly acted SingSing belongs in this group and all the indicators suggest that Blitz doesn’t quite get there, but there’s no question that Anora and Conclave are, presently speaking, at the top of the list. I won’t be seeing TheBrutalist, HardTruths, TheRoomNextDoor or Queer until later this month.
Matt Walsh’s AmIARacist? isn’t quite as compelling or is slightly less guns blazing that What Is A Woman?, which I also streamed and wrote about with a certain fairness of mind. But it makes some fair points. The HE commentariat can hiss and howl all they want, but any documentary that gives the spiritually suffocating race-relations grifter RobinDiAngelo a hard time is doing something right. Walsh’s Christian dude principles are a bit of an issue, but he wouldn’t squeal like a falsetto bitch and might even nod with a certain low-key appreciation when reminded that back in the old hippie days “spade cat” was a term of sincere respect — a subterranean term that cool cosmic dudes and Bhagavad Gita hepcats might use to loosely refer to Pharoah Sanders, Miles Davis, Jimi Hendrix, Dick Gregory, etc.
David Fincher: “Directing is really three things. You’re editing behavior over time. And then controlling moments that should be really fast and making them slow. And [taking] moments that should be really slow, and making them fast.
“If you think that you can hide what your interests are, what your prurient interests are, what your nobler interests are, what your fascinations are…if you think you can hide that in your work as a film director, you’re nuts.
“Alfred Hitchcock was one of the first guys who said, ‘I’m gonna go with it.'”
