I’m halfway through an early draft of Alan Ball’s Nothing Is Private, which has been shot and wrapped andput into good-enough shape to show to a research audience several weeks ago. You can tell on the page that it’s a very solid and sharply observed thing, and sexually audacious as the dickens.
I’m halfway through an early draft of Alan Ball’s Nothing Is Private, which has been shot and wrapped andput into good-enough shape to show to a research audience several weeks ago. You can tell on the page that it’s a very solid and sharply observed thing, and sexually audacious as the dickens.