Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the shades, in the latter film, which opened almost exactly 40 years ago (1.27.84).
The Purple Rose of Cairo opened just over 13 months later, on 3.1.85.
Less than a year later came Hannah and Her Sisters (2.7.86), in which Farrow also dramatically stood out (alongside Oscar-winner Dianne Wiest).