At 4:31 this morning, AICN’s Drew McWeeny reported some digital tweakings in the U.S. version of the Indiana Jones and the Kingdom of the Crystal Skull teaser that are not evident on the international version. He was alerted to this stunning realization by a message board rant that appeared last night on CHUD.
A frame-filling American flag CU appears in the domestic version but is absent overseas. Fewer Russian guns are aimed at Harrison Ford and Ray Winstone in the U.S. version. And something about Winstone’s khaki pants is said to be strikingly different in the int’l vs. domestic versions. (Extra wrinkles? A urine spot? An absence of a belt?) Were the guns CG’ed out because of some MPAA edict? Is the American flag supposed to provide some kind of subminal emotional comfort to Bush-McCain nation?
I have to be honest and admit that on a scale of 1 to 10, my interest in this matter is currently between 4 and a 4.5.
The red-band trailer for David Gordon Green and Judd Apatow‘s Pineapple Express (Columbia/Sony, 8.8.08). Seth Rogen, James Franco, Bill Hader, James Remar, Gary Cole, Amber Heard and Rosie Perez costar.
My 9:01 am comment that “my sensings are telling me that Hillary and her campaign team are going to scrap and claw and take everyone down to hell“? Boston Globe‘s “Political Intelligence” columnist Foon Rhee wrote earlier today that Clinton “will not concede the race to Obama if he wins a greater number of pledged delegates by the end of the primary season, and will count on the 796 elected officials and party bigwigs to put her over the top, if necessary, said Clinton’s communications director Howard Wolfson.”
Diego Pillco, the admitted murderer of director-actress Adrienne Shelley, has passed along some particulars. Manhattan district attorney Robert Morgenthau says the 11.1.06 tragedy resulted from Shelley catching Pillco “stealing her wallet,” which led to her reaching for the phone to call police “but [Pillco] grabbed it and a fight ensued. He covered the victim’s mouth and nose with his hand until she passed out. He then took a sheet, choked her to death, and made it look like a suicide.”
What a ghastly sequence of events. Awful, horrific…but I have to say something. If there was any question about the basic character of a perpetrator, I would never pick up a phone in order to call the cops with the perp standing a few feet away. I’d never do this because it forces the offender to make a decision — run for the hills or stop the phone call from being made. I’d like to think that most people aren’t violent or sociopathic or confrontational, but a certain percentage are. Pick up the phone and you’re basically gambling that the perpetrator won’t try to take the phone away or physically overpower you or worse.
I would never take that chance if I was a smaller-framed woman. I would get the bad guy to leave the apartment or I would leave myself and then I’d call the cops.
A terrible, terrible thing, this. Reading this story made me go back to it.
Just another tit-for-tat ad, but the speed of it is pretty incredible. It’s a response to very recent Clinton ad aired for the Wisconsin market, challenging Obama to debate her prior to the 2.19 primary there. 24 or 48 hours later, wham…the Obama team is right back at her.
“It’s an odd thing, but in recent years, just about every movie that attempts a sophisticated take on romance, has turned out to be strained and witless. All the successful recent comedies (The 40 Year Old Virgin, The Wedding Crashers and Knocked Up, to name three) have tended toward the raunchy end of the spectrum. It’s as if Hollywood’s wise guys have recognized that middle-class American life is just too complicated, perhaps even too inherently miserable, to get an intelligent handle on.
“You can’t quite treat [modern relationships] as a tragedy but you can turn to its first cousin — farce — and have some profitable fun with it. And who can blame them? Or us, for the benumbed state that something like Definitely, Maybe leaves us in.” — from Richard Corliss‘s 2.14 review in Time.
Late to the table but in complete agreement with Sasha Stone and Kris Tapley that this Assassination of Jesse James by the Coward Robert Ford ad on behalf of Best Supporting Actor nominee Casey Afleck is perhaps the best of its kind seen all season. In no small part because it’s in keeping with the aura and tone of the film itself.
It would take four to six hours of calling the Sovet Republic of Warner Bros. to begin to get some kind of answer about who the creative hands were so let’s not, but sincere congrats to whomever the geniuses are.
“Seventy percent of the country is against the Iraq War now,” Young Turks co-host Cenk Uygyur has wrote today. “A great majority of American believe it was a mistake to go into Iraq in the first place. With a country that is this united against the war, are we really going to have two presidential candidates that voted for the Iraq War?
“If Hillary Clinton wins the Democratic primary, both of the major party candidates will have been wrong on the war. Why? Why on God’s green earth would we do that?”
So far, the scheduled Oscar show presenters are Alan Arkin, Jennifer Hudson, Helen Mirren, Forest Whitaker, Amy Adams, Jessica Alba, Cate Blanchett, Josh Brolin, Steve Carell, George Clooney, Penelope Cruz, Miley Cyrus, Patrick Dempsey, Cameron Diaz, Colin Farrell, Harrison Ford, Jennifer Garner, Tom Hanks, Anne Hathaway, Katherine Heigl, Jonah Hill, Dwayne Johnson, Nicole Kidman, James McAvoy, Queen Latifah, Seth Rogen, Martin Scorsese, Hilary Swank, John Travolta, Denzel Washington and Renee Zellweger.
Definitely Maybe has been tracking decently among women. The general numbers are 64, 32 and 11, but the first choice number is in the teens among women. (Keep in mind there’s an extra President’s Day holiday day on Monday.)
Doug Liman‘s allegedly painful Jumper — almost certainly a one-weekend phenomenon — is still the #1 attraction. The Spiderwick Chronicles is running at 75, 24 and 5. Step Up 2 The Streets is a 16 first choice. All four films are going to do at least decently….no wipeouts.
Vantage Point will do decent business when it opens on 2.22. The most popular March 7th release will be Roland Emmerich‘s 10,000 B.C., which is running at 57, 35 and 6…heavily male. The Bank Job is running at 20, 16 and 1…nothing. College Road Trip is tallying at 58, 25 and 2.
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