Pete Hammond‘s rundown of the Toronto Film Festival highlights isn’t too far off the mark. Apart, that is, from his mystifying admiration for Rahmin Bahrani‘s 99 Homes (which I vivisected in a 9.2. post-Telluride review) and his too-kindly assessment of Jennifer Aniston‘s chances of getting into the Best Actress derby with her performance in Cake. Everyone agrees that James Marsh‘s The Theory of Everything achieved the biggest Best Picture splash, and that Eddie Redmayne‘s portrayal of Stephen Hawking is a lock for Best Actor accolades. (I’m not as certain about Felicity Jones for Best Actress but it’s entirely possible.) Julianne Moore‘s Still Alice performance (i.e., first-stage Alzheimers) seemed to generate a fair amount of Best Actress talk toward the festival’s end, but I didn’t want to see it and I still don’t — I’m going to have to force myself. Morten Tyldum‘s The Imitation Game won the Grolsch People’s Choice Winner for favorite TIFF film, but then the rave responses out of Telluride told us it would be a hit with Joe and Jane Popcorn types. So far the preferred Best Picture choice among hipper, more cultivated types is Birdman, of course.
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To my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
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7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
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It took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
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- The Pull of Exceptional History
The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
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Unless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
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For me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
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