Zap2it editor Michael Syzmanski wrote on his Toronto blog last Saturday (9.11) that Taylor Hackford’s Ray, the Ray Charles biopic with Jamie Foxx in the title role, “is the best thing I’ve seen this weekend. All the rumors about Foxx getting a Best Actor nod at the Academy Awards this year [are] definitely true…the film is probably a contender for Best Picture too.” Universal is releasing it on 10.29.
A friend in Toronto who’s been a reliable source on good movies to watch for is telling me to put Terry George’s Hotel Rwanda into the Oscar Balloon as a potential Best Picture nominee. The film is “a sensation,” he says. “It’s the new generation’s The Killing Fields.” The script by George (director of A Bright Shining Lie, writer of Jim Sheridan’s In The Name of the Father) and Keir Pearson is a true story of Paul Rusesabagina, a hotel manager who sheltered over a thousand Tutsi refugees during the slaughter seige mounted by the Hutu militia in Rwanda. The friend says Don Cheadle, who plays Rususebagina, is “a lock for a Best Actor nomination.” Nick Nolte and Sophie Okonedo costar.

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...