A new trailer for Martin Scorsese’s The Aviator (Miramax, 12.17 is up and running online. The main impression is that Leonardo DiCapro’s (and Scorsese’s and John Logan’s) Howard Hughes character isn’t exactly a charmer. Brave and fearless, okay, but a nutter — driven, obsessive, intense. When he asks Ava Gardner (Kate Beckinsdale) to marry him, she says, “You’re too crazy for me.” The second thing you notice is that DiCaprio isn’t using his natural voice — he sounds reedy, higher-pitched, a bit hick-y.
At the start of the Aviator trailer, it says that “the film advertised has been rated PG-13.” It says “PARENTS [ARE] STRONGLY CAUTIONED” over “thematic elements, sexual content, nudity, language and a crash sequence.” Thematic elements? In this story of an eccentric, go-for-broke, control-freak aviation pioneer, what thematic element could possibly be considered threatening or upsetting to the jaded mind of a typical 10 year-old? And what kid these days is going to blink an eye at a mere depiction of a plane crashing ito a residential neighborhod in Beverly Hills (which Howard Hughes actually did in 1946) when they spend 80% of their free time on ultra-violent video games?

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...