Jeff Leeds’ weekend box-office story in today’s (1.3) New York Times quotes Box Office Mojo’s Brandon Gray saying something rather odd. The crop of Oscar-buzz films “is somewhat anemic this season, and that’s something the Academy needs to be aware of,” Gray says, referring to the Academy of Motion Picture Arts and Sciences, whose membership votes on the Oscars. He adds, “If they nominate only pictures that people are not going to see, they can expect lower ratings” for the 2.27 Oscar broadcast. Hear that, fellas? If the film or filmmaker you admire the most hasn’t delivered (or isn’t on the way to delivering) a handsome profit, deny him/her your vote.
Two similar-sounding, three-syllable, young-guy-with-a-problem movies are playing at Sundance ’05 — The Chumscrubber and Thumbsucker. And are both about suburban ennui and that line of country. Not to sound harsh or dismissive, but I really don’t want to see a movie about a guy who sucks his thumb. Arie Posin’s Chumscrubber, a Premiere selection about, yes, despair and alienation in an idyllic California ‘burb (is there any other kind?), costars Jamie Bell, Ralph Fiennes, Carrie-Ann Moss, Glenn Close, Allison Janey. Mike Mills’ Thumbsucker, playing in the Dramatic Competition section, is a portrait of addiction but is presumably about something else besides. (Please.) It costars Lou Pucci, Tilda Swinton, Keanu Reeves, Vincent D’Onofrio, Bemjamin Bratt, Vince Vaughn.

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...