You can toss out the concept of Richard Kelly’s Southland Tales, which has been described in some circles as a genre hybrid of comedy/musical/thriller/science-fiction or, in somewhat plainer terms, as a big social-political satire….you can forget any ideas of it coming out in ’05, despite my having listed Tales in Wednesday’s column as a hot-ticket due sometime later this year. Too bad, but there’s no way it’ll be out before ’06. But if you want a little taste now (and I highly recommend this), click here .
Two more connections between those sound-alike Sundance movies, Thumbsucker and The Chumscrubber. One, they were both produced by Bob Yari, a former real-estate guy who now heads a company called the Yari Film Group. And two, they both costar 19 year-old Lou Pucci. Thumbsucker, which costars Tilda Swinton and Keanu Reeves, was shot almost a year before Chumscrubber, which stars Jamie Bell, Camilla Belle (also the costar of The Ballad of Jack and Rose), Ralph Fiennes, Rory Culkin, and Glenn Close. There’s also a Park City at Midnight film called Ass-Muncher….kidding!

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...