David Poland has written about Martin Scorsese’s tribute to the spirit that propelled Howard Hughes: “Better than any of the other movies nominated, The Aviator offers a look at us…at the power of outrageous daring…not just of one man, but of a culture that shouts our aspirations across the globe.” To which I must reply, “Better than any of the other movies nominated, The Aviator offers a look at our willingness to swallow rankly phony CG images that violate any sense of organic, first-hand reality…that promote the negligible effect of CG sequences that blatantly announcing themselves as such…all to celebrate not just a single willful man, but a culture that shouts our aspirations across the globe.”
Day: February 10, 2005
The obiter dicta (i.e., words
The obiter dicta (i.e., words in passing) in Brian Lowry’s recently posted Variety review of Constantine (Warner Bros., 2.18) sounds somewhat predictable: “Pic does win a few points for style if not substance.” The opening graph, though, has a strong alliterative punch: “Keanu Reeves’ latest man-in-black fantasy is slightly better than The Matrix sequels, which is tantamount to damnation with faint praise. Casting its star as a chain-smoking exorcist — someone who’s literally been to hell and back — this adaptation of the graphic novel “Hellblazer” blazes few new trails and bogs down in a confusing narrative muddle. Atmospheric and noirish in the manner of a poor man’s Blade Runner, pic possesses powerful imagery but lacks feature-length substance and will need a bountiful harvest of opening-weekend souls before a stench resembling brimstone dowses its box office flame.”