Those one-sheets and web ads

Those one-sheets and web ads announcing Gore Verbinski’s The Weather Man (Paramount) as an April 1st release are now officially redundant . The Nic Cage/Michael Caine/Hope Davis drama about a Chicago TV weather man with personal problems galore has been bumped to the fall. The idea, apparently, is that a strong drama with prestige elements will have a better shot in September or October. There’s also some new thought being given to the Weather Man ad campaign image (i.e., Cage with a splattered milk shake dripping from his left shoulder), which obviously suggests comedy.

A Warner Home Video press

A Warner Home Video press release issued a couple of months ago about the upcoming double-disc “special edition” Heat DVD said that disc #2 would offer “11 additional scenes.” Bunk. These “11 additional scenes” amount to less than 10 minutes of deleted footage, and while there’s one scene that lasts a little over two minutes, most of the “additional scenes” are snippets lasting 30 or 40 seconds. A snippet is like a phrase or a sentence, and a scene is like a paragraph. Warner Home Video’s p.r. department should know the difference, and it shouldn’t sell one as being synonymous with the other.

I always feel better when

I always feel better when HBO’s Real Time with Bill Maher is up and rolling…kind of rounds out my sense of all being right with the world. Anyway, it preems tonight (Friday, 2.11) at 11 pm. But what to make of the new Robert Evans talk show thing on Sirius? For this to be semi-interesting, Evans would have to be paying attention to what’s doing right now — he’d have to be up on things. The President’s Day debut is on Monday, 2.21, at 6 pm ET. The regular show will play on Saturday. It starts on March 5th, 6 pm.

“You may recall that in

“You may recall that in the Matrix trilogy, Keanu Reeves played a haunted, expressionless traveler between metaphysical realms whose mission was to unravel a vast, complicated plot to…well, to do something very bad involving a lot of computer-generated imagery,” New York Times critic A.O. Scott begins in his review of Constantine. “It may therefore not surprise you to learn that Mr. Reeves, in [this film], a new theological thriller from Warner Brothers, plays a haunted, expressionless traveler…but you get the idea. The thing is, this time his character, John Constantine, wears a skinny tie, white shirt and dark suit combination almost exactly like the one worn by Agent Smith, who was Mr. Reeves’s archnemesis in the Matrix pictures. I’m still trying to get my mind around that.”