Do you literally have to live in the U.S. to knock its values or criticize its culture or politics? David Cronenberg, a Canadian whose recently-screened A History of Violence addresses America’s shoot-em-up, fistifcuff tendencies, is quoted thusly by L.A. Times critic Kenneth Turan: “Does a fish know about water? Living in a tributary, not the ocean, [Marshall] McLuhan had a different perspective. The insights he had into America would not be possible to anyone living in America. Stepping away has a lot to do with it.”
A lot of press people in Cannes have been doing their usual ranting against Lars von Trier for making another film critical of the U.S. (i.e., Manderlay) without having ever visited American shores. Certainly one needs to absorb a country’s culture first-hand to get a thorough understanding of what it’s about…but it also seems absurd to insist that a visitation has to happen before one can render a strong opinion about a country’s history with a film like…well, Manderlay. As von Trier told the Hollywood Reporter‘s Anne Thompson, “America dominates world culture” and “is a big part of our lives in my country. 60% of the main words in all the experiences of my life are American…I am an American, but I can’t go there to vote [and] I can’t change anything. That’s why I make films about America.”

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...