If something like this had been in March of the Penguins, soreheads like me wouldn’t have disliked it so much. And I don’t care if it was originally posted by Movie City News columnist Ray Pride…
You can tell from reading Zach Helm’s script of Stranger Than Fiction that the movie, being directed by Marc Forster, will probably be a good score for everyone involved, including star Will Ferrell, when Columbia releases it next year. And Ferrell will kick ass in The Producers: The Movie Musical (Universal, 12.23) in the Franz Leibkind role — i.e., the one played by Kenneth Mars in Mel Brooks’ 1968 original. But it must be said right now that Ferrell is in trouble. Partly due to over-exposure (appearances in five films in ’05 not counting the un-released Winter Passing and The Wendell Baker Story). Partly because his stuff is feeling really labored and unfunny. Partly because Kicking and Screaming was awful and died. Partly because he was especially grating in Bewitched. Partly because his appearance in a forthcoming comedy is so unwelcome and groan-inducing he poisons the comic atmosphere and (temporarily) stops the film in its tracks. Is Ferrell over? Could the two-year spurt that began with ’03’s Old School and Elf, peaked with Anchorman and then received a late-inning boost from his appealing supporting performance in Melinda and Melinda be winding to a close…or am I just over-reacting to Ferrell’s death-cameo in that comedy I just referred to? What’s everyone thinking? Please send in reactions for a piece I’m going to cook up for Wednesday’s column.
Pithy observation here from New York Times critic Tony Scott in a piece about the differences in the way films are sold, absorbed and processed between the ’70s and now. “The window between the theatrical and DVD release is now shorter than a successful first run used to be,” he writes. “Even the term ‘first run’ has a ring of almost vaudevillian antiquity. There is now a pre-release sprint that leaves audiences (and journalists and publicists) winded by opening day. Three weeks later, the picture is a fading memory. Here I am still going on about War of the Worlds, which is so last week. Revenge of the Sith? Who even remembers?”

Wedding Crashers costar Owen Wilson is asked by Hollywood Hitlist columnist Gregory Ellwood about his “Butterscotch Stallion” nickname in this recently-posted interview on MSN. Owen’s reply: “I love that. It has to be one of the most ridiculous, insane nicknames, but some of my friends have really picked up on it. I think they know it’s kind of humiliating to me.”
Apologies for the Saturday screw-up, i.e., accidentially posting Jett’s reaction to The Beat That My Heart Skipped in WIRED…stupid. I did it through a dial-up in connection from Connecticut and tried right away to remove it…obviously the effort failed.

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...