The sound of the other Chris Penn shoe…the one everybody suspected was probably in the wings…is starting to be heard: Page Six is reporting that friends “privately suspect that his death [last week] was caused by drugs. One Penn pal said: ‘Chris fought a battle with drugs his whole life, and it had gotten bad again.'” Why is it when a guy dies too young and too soon, which is almost always due to un-natural causes…why do friends and family always consider it sensitive and respectul to keep mum about why he apparently passed? The one good lesson for others to reflect upon…the one positive thing that a sad and untimely passing might (indirectly) achieve, which would be to to dissuade others from unhealthy indulgence…why is it always deemed hurtful or insensitive when this is delved into?
Newsweek‘s round-table chat with the five directors everyone is assuming will be Oscar-nominated for Best Director — George Clooney (Good Night, and Good Luck), Ang Lee (Brokeback Mountain), Bennett Miller (Capote), Paul Haggis (Crash) and Steven Spielberg (Munich) — has some good banter and at least one strong political acknowledgement. “From the end of the first wave of the civil-rights movement, all the way through Watergate, people were constantly talking about what was going on in the country,” says Clooney. “Now it seems that’s happening again. You can sit in a room and have people talk about politics — in Los Angeles, of all places.” Then Lee says, “There seems to be a collective social consciousness.” And Spielberg says, “I think we all have been given our marching orders … Maybe I shouldn’t get into this. [Pause] I just feel that filmmakers are much more proactive since the second Bush administration. I think that everybody is trying to declare their independence and state their case for the things that we believe in. No one is really representing us, so we’re now representing our own feelings, and we’re trying to strike back.” And Newsweek asks, “So Bush has been good for film?” and Spuielberg says, “I wouldn’t just say Bush. The whole neo-conservative movement.” And Clooney says, “Because it’s polarizing. I’m not going to sit up and say, ‘This is how you should think.’ But let’s at least acknowledge that there should be an open debate, and not be told that it’s unpatriotic to ask questions.”
- Really Nice Ride
To my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
More » - Live-Blogging “Bad Boys: Ride or Die”
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
More » - One of the Better Apes Franchise Flicks
It took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
More »
- The Pull of Exceptional History
The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
More » - If I Was Costner, I’d Probably Throw In The Towel
Unless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
More » - Delicious, Demonic Otto Gross
For me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
More »