Okay, now I really have to go…plane’s leaving…back online Stateside sometime this evening, at which time…well, who knows?
Okay, now I really have to go…plane’s leaving…back online Stateside sometime this evening, at which time…well, who knows?
Aaahhh…the beautiful, most sensuous, immaculately studied “nothingness” in the films of Michelangelo Antonioni, especially in his early ’60s period. The Italian master’s career will be on view in a three-week retrospective at the Brooklyn Academy of Music’s Rose Cinemas starting Wednesday, 6.7.
To my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
More »7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
More »It took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
More »The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
More »Unless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
More »For me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
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