Day: February 11, 2007

To go by stories in the trades, Martin Scorsese is out of the Martin Scorsese business for the time being. Take Thursday’s news about his intention to co-produce (along with Initial Entertainment Group’s Graham King) a damn Queen Victoria movie (i.e., “the early life of the famed British monarch,” etc.) combined with last year’s announcement that Scorsese’s next directing project will be a Japan-set drama called Silence, a “martyrdom-themed tale of two 17th century Portuguese missionaries who return to Japan to minister to Christians,” blah, blah, and you’re left with one sinking realization — the master of The Departed is going back to the realms of Kundun and cufflinks. Terrific. He’s going to make these films and we’re all going to have to suffer through them, and then after three or four or five years — maybe, if God smiles — he’ll have gotten it out of his system, and this will allow him to finally go back and make another Scorsese film.

In a phrase, film school courses teaching the craft of filmmaking are on the downswirl, and may even be going the way of newspapers. But film studies courses are eternal.

“One sure winner at this year’s Academy Awards will be the internet,” writes Denver Post freelancer Steven Rosen.

“More specifically, it will be the awards-oriented websites and blogs that have come together — in a perfect storm convergence of complementary and conflicting interests — to incessantly write about the insider’s world of Oscar campaigning. Some are independent, entrepreneurial or fan-based; others are part of print media taking risks with new technology.

“As they post items leading to the Feb. 25 Oscar telecast, they open the process to a global audience of movie fans. They also make the seemingly mysterious motives of the Academy of Motion Picture Arts and Science’s 5,830 voting members more transparent. To a point.”

George Lucas was definitely joking the other day, I’ve been told, when he said The Empire Strikes Back was the “worst” Star Wars film, etc. “Say what you will about Lucas, his personality, his qualities as a filmmaker or lack thereof,” says a person who attended the Publicist Guild luncheon in question. “But on that day, in that speech, he was 100% making a joke.

“He opened his speech — on a day filled with teleprompters — by saying that he never used a script when making a speech, something that drove his publicists crazy. (He’s not exactly a great public speaker, either, so perhaps he should change that habit.) At any rate, he spoke for about five minutes in a seemingly off-the-cuff manner, and made several ‘jokes.’ Others can judge whether or not he was actually funny, but yeah, he was joking.”

“I do think there’s a hardening of the culture that’s undeniable. I think reality TV — if you just look at what’s going on this week on ‘American Idol,’ meanness is king. That offbeat behavior. You’re left wondering about the legitimacy of relationships. Reality TV has, I believe, lowered the standards of entertainment, to put it mildly. I think it’s probably harder to entertain the same people with a more classic form of writing, and romantic comedies are a classic genre.” — director-writer Nancy Meyers (The Holiday, Something’s Got to Give) speaking to L.A. Times reporter Rachel Abramowitz about the near-death (i.e., near-total irrelevance) of romantic comedies these days.