The long lowdown on Tom Cruise and Paula Wagner‘s running of United Artists, plus the Harry Sloan determinations that paved the way along with the views of others about the viabiliy of such a venture, according to N.Y. Times reporter Richard Siklos.
Thumbs Down on “Pearl”Some are under an impression that Ti West‘s Pearl (A24, currently playing), the X prequel, is some kind of unusual,...
More »
Emily’s JourneyIt only took me five weeks to finally watch John Patton Ford‘s Emily The Criminal, which is pretty close to...
More »
Once More With “Empire”Yesterday I tried to elaborate upon my positive Telluride reaction to Sam Mendes‘ Empire of Light (Searchlight, 12.9). Toward the...
More »
RT Cooking “Woman King” Scores?At what point can The Woman King, which cost $50M to produce and another significant chunk of change to sell,...
More »
Don McLean’s “The Day The Academy Died”An article by a veteran Academy member has appeared on The Ankler, and it says something that The Ankler‘s Richard...
More »
Nightmare at Village MarketLast night I ran into an old friend who’s no longer a friend because he’s more or less turned into...
More »