A special edition DVD of Alfred Hitchcock‘s To Catch a Thief came out today — special because it was mastered, for the first time, from the original VistaVision elements, which means more visual detail and fullness of color. I’ve been waiting for this for a long time. Paramount Home Video put out an okay-looking Thief DVD about six or seven years that provided the matted 1.85 to 1 aspect ratio of VistaVision, but without the visual splendor. Thief cinematographer Robert Burks won an Oscar for his efforts. Some of the film — okay, a fair amount of it — is engrossing as far as it goes, but among Hitch’s glorious 1950s films, it’s easily his least substantial. That’s not a problem, but it’s mainly pleasurable for a kind of elegant-lull quality — the look, the framing, Cary Grant‘s mild-mannered performance, the easy-does-it vibe, the occasionally awesome editing. Not the “all” of it as much as the way it all kind of goes down like a swallow of champagne on a warm summer’s night on the Riviera. The way it mostly breezes along without any noticable sense of urgency.
Day: May 8, 2007
Cyber cafe is closing
20 minutes to go until the cyber cafe closes. Why can’t they stay open until midnight? 19 minutes now. It’s an Australian place — it’s called Tuck Shop — and it doesn’t feel spirtually or geographically in character for a down-under establishment to close early. I’ve never known an Australian guy to not stay at a party until the wee hours or not close a bar down. I’ve just wasted another five minutes — 14 minutes to go.
28 Weeks Later
When I get my computer back tomorrow and everything’s technologically jake (I hope, I pray), I’ll bang out some kind of longer tribute piece about 28 Weeks Later (Fox Atomic, 5.11), which I saw this evening. (I’d write it now but the cyber cafe I’m sitting in on West 49th Street closes at 11 pm, and they’re charging $11 bucks an hour. Hey, why not $15?)
28 Weeks Later is a “wow” second-act piece — more of a continuation of 28 Days Later than a sequel. It doesn’t thematically build upon or add intriguing new layers to Danny Boyle‘s original raging-zombies flick. It’s not The Godfather, Part II, in other words — it’s The Empire Strikes Back, complete with a semi-cliffhanger finish that doesn’t end the story it’s been telling as much as bring to an abrupt close.
Which I was totally fine with. It’s a wildly inventive, envelope-pushing, high-end jolt movie all the way. I was staring at it open-mouthed, amazed and thrilled and even half-stunned at times. (Honestly.) Anyone who liked the first will certainly feel satisfied (i.e., enjoyably throttled) by it. But it’ll be up to whomever directs the third chapter — the completion of the trilogy — to really bring home the bacon. That isn’t to say that 28 Weeks Later doesn’t rousingly do what it sets out to do. You just have to process it as a “more of” thing rather than “heavier or stronger than.” Which, for me, filled the bill and then some.
Troubles solved?
Computer trauma update: It’s 3:35 pm on a beautiful blue-sky day, and after almost 24 hours of high anxiety I’m almost out of the woods. I came to my senses last night and realized that buying a brand new computer simply because the hard drive had crapped out was ridiculous. (Thanks to those who stated this in the reader replies.) I obviously wasn’t thinking clearly yesterday. All I was saying to everyone was, “I have to fix this problem fast.”
I found a Brooklyn-based computer repair guy named Marcel (his company is called Big Island Interactive) on Craig’s List around 8 ayem this morning. He told me to just bring over the old unit plus a new hard drive (in case he couldn’t repair the malfunctioning one) and a fresh copy of Windows XP (in case the old Windows data is irrevocably screwed up) to his brownstone apartment on Park Place in the Park Slope area.
So I went back to the Best Buy store on B’way and Houston around 10:30, returned the new computer (Windows Vista is a little twitchy…I played around with it last night), picked up the old one, went uptown to buy a new hard drive and a fresh Windows XP disc, hopped on the Q train and delivered everything to Marcel around 2 pm. A hour later he called and said he might be able to repair the old hard drive — he’ll know more by this evening.
I’m now sitting in a combination post-office and internet cafe near the corner of Flatbush Ave. and Park Place. God willing, the troubles will be over by midday tomorrow.
There’s not much time to file before I have to get back on the Q train and catch a screening of 28 Weeks Later at 6 pm. I recorded an interview with the film’s director Juan Carlos Fresnadillo yesterday afternoon, just before that Spider-Man 3 screening at Leows’ Lincoln Plaza that I didn’t attend because of those wonderful tekkies at Gateway. Maybe I can post this if I can find another decent internet cafe after the screening.
There’s a Friedrich_Nietzsche line that Nick Nolte‘s character says in Karl Reicz‘s Who’ll Stop The Rain?: “When in danger, always move forward.”