Day: November 25, 2007

I blame the “leave us aloners” for blowing off the Iraq-themed films willy-nilly, especially the really good ones like In The Valley of Elah. But I can’t blame anyone for passing up Brian DePalma‘s Redacted, a very difficult sit that died a pauper’s death this weekend.

Laura Linney‘s WGA “Speechless” short (#1) is certainly the best-acted and perhaps the best of the bunch — earnest and solid, but at the same time dryly funny. “Hi, my name is Laura and I’m an actress without a script. I realize that my life has become unmanagable in this situation, so I’ve decided to take a step forward and ask my higher power for guidance and help.” Creative team: George Hickenlooper, Alan Sereboff, Kamala Lopez and Jill Kushner. Tech team: Joel Marshall, Justin Shumaker, Anthony Marinelli and Clint Bennett.

Plus “Speechless” #7 with Andre Benjamin, Speechless #8 with Bill Macy and Felicity Huffman, “Speechless #9 with Harvey Keitel and “Speechless” #10 with Nicolette Sheridan and Eva Longoria.

I still say the two best are Hickenlooper’s #11 with Laura Linney and Rod Lurie‘s #6 with Kate Beckinsale and David Schwimmer.

An odd recollection can be found in David Carr‘s 11.25 N.Y. Times interview with No Country for Old Men costar Woody Harrelson. The feminist attacks upon The People vs. Larry Flynt “sort of broke my heart,” Harrelson says, “because what people were saying really had nothing to do with the work and what it was about. It was just politics.” And so he took five years off to lick his wounds? I’ve lost count how many times I’ve had my heart broken and wanted to hide out in some faraway place and do nothing. But it wasn’t an option.

Christian Mungiu‘s 4 Months, 3 Weeks & 2 Days is getting a one-week Oscar qualifying run in Los Angeles starting on 12.21. This will make it slightly easier for various critics groups to give it their Best Foreign Film prize, if they’re so inclined. Before the December date was anounced, the plan was to open it through IFC First Take on 1.25.08.

HE reader Mary Chan wrote yesterday with observations about the shift, to wit:

“As you know, IFC had planned to release 4 Months, 3 Weeks and 2 Days through IFC First Take. But the official site of IFC doesn’t mention 4 Months, 3 Weeks and 2 Days as an IFC First Take release. Nor is this mentioned on the poster credit block.

“Presumably this means that IFC will release 4 Months, 3 Weeks and 2 Days through IFC Films rather than IFC First Take (which means it won’t be released simultaneously in theaters and via video-on-demand). This seems like good news for 4 Months, 3 Weeks and 2 Days. According to IFC’s policy, if they think that a movie isn’t likely to gross more than $1 million in US, they’ll send it to IFC First Take; if they foresee more than $1 million in US, it goes out under IFC Films.”

A straight-reporting piece by Time’s Rebecca Winters Keegan about the WGA’s “Speechless” spots as well as other online diversions on You Tube, etc. Latest fave: www.lateshowwritersonstrike.com. A slogan from a Justin Stangel piece: “More money, Les Moonves.”

Enchanted was steady but flat yesterday. The new five-day projection tally has dropped to $49,086,000, just a nose hair below yesterday’s figure of $49,198,000. Fantasy Moguls’ Steve Mason, who sometimes tends toward generosity, is projecting a five-day tally of $53 million and change. It be It would be entirely natural for Disney distribution execs to claim $50 million-plus in today’s trade box-office stories, and — who knows? — the real Monday figures may bear this out.